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  <id>urn:lj:livejournal.com:atom1:sammytequila</id>
  <title>The Nonsensical Ravings of a Lunatic Mind</title>
  <subtitle>Rob</subtitle>
  <author>
    <name>Rob</name>
  </author>
  <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/"/>
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  <updated>2008-05-13T22:23:09Z</updated>
  <lj:journal username="sammytequila" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://sammytequila.livejournal.com/data/atom" title="The Nonsensical Ravings of a Lunatic Mind"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:41243</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/41243.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=41243"/>
    <title>Ha.</title>
    <published>2008-05-13T22:23:09Z</published>
    <updated>2008-05-13T22:23:09Z</updated>
    <content type="html">&lt;div&gt;&lt;center&gt;&lt;table background="#FFFFFF" border="1" width="450"&gt;&amp;lt;td align="center"&amp;gt;
&lt;img src="http://img.quizgalaxy.com/filmslate-Rob-A+Narcoleptic+Prostitute%27s+Story-Frances+Coppola.jpg" alt="QuizGalaxy.com!" /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;a style="color: #FF0000;" href="http://www.quizgalaxy.com/quiz.php?id=68"&gt;Take this quiz&lt;/a&gt; at &lt;a href="http://www.quizgalaxy.com" style="color: #FF0000;"&gt;QuizGalaxy.com&lt;/a&gt;&amp;lt;/td&amp;gt;&lt;/table&gt;&lt;/center&gt;&lt;br /&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:40284</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/40284.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=40284"/>
    <title>My Birthday's Coming Up*</title>
    <published>2008-04-08T14:23:04Z</published>
    <updated>2008-04-08T14:23:04Z</updated>
    <content type="html">&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.throwmetheidol.com/products/misc/cake%20deco.JPG" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*okay, it's not for about four months, but still...I WANT THIS CAKE!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:39873</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/39873.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=39873"/>
    <title>Just Created a New LJ Community</title>
    <published>2008-04-07T16:42:32Z</published>
    <updated>2008-04-07T16:42:32Z</updated>
    <category term="writing"/>
    <category term="lj community"/>
    <content type="html">I just created a fiction writing community on LJ, inspired by anthology pulp magazines like "Weird Tales."&lt;br /&gt;&lt;br /&gt;Any aspiring writers out there are more than welcome to post any of their weird fiction, in the horror, science fiction, steampunk and adventure genres. This includes short stories, poetry, serialized stories, book and movie reviews, or even plays or comic strips.&lt;br /&gt;&lt;br /&gt;Here is the ink: &lt;a href="http://community.livejournal.com/lunatic_mind/"&gt;http://community.livejournal.com/lunatic_mind/&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:39541</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/39541.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=39541"/>
    <title>So, comic books were right after all?</title>
    <published>2008-04-07T14:19:14Z</published>
    <updated>2008-04-07T14:19:14Z</updated>
    <category term="science"/>
    <category term="multiverse"/>
    <category term="michio kaku"/>
    <content type="html">Did anyone else listen to Opie and Anthony this morning, when they were talking to theoretical physicist Michio Kaku? He wrote books such as "Hyperspace," "Parellel Worlds," and his latest book is "Physics of the Impossible." &lt;br /&gt;&lt;br /&gt;On the show, he talked about the idea that we really live in a Multiverse, where parallel realities, or universes, are created as a result of the choices we make or significant events playing out differently. Like, there is a universe where I didn't get fired from Starbucks, and as a result didn't work at Borders, and probably didn't become a journalist, and so on.&lt;br /&gt;&lt;br /&gt;And DC and Marvel have been dealing with Multiverse storylines for how long now? Has this idea of an actual Multiverse been around for awhile, and I'm just hearing about it now? Or were comic book writers on to something before the scientists thought it was possible?</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:39293</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/39293.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=39293"/>
    <title>Robotic Prostatectomy</title>
    <published>2008-04-03T19:04:15Z</published>
    <updated>2008-04-03T19:04:15Z</updated>
    <content type="html">Sheesh, the phrases that I hear and see at my job can be head-shakingly strange.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:38936</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/38936.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=38936"/>
    <title>New York Comic Con</title>
    <published>2008-04-03T15:14:14Z</published>
    <updated>2008-04-03T15:14:14Z</updated>
    <content type="html">So, I just realized that the NY Comic Con is coming up in a couple of weeks.&lt;br /&gt;&lt;br /&gt;Is anyone planning on going this year? I won't be able to, but there was one piece of merchandising I was hoping to get. So if someone is going, can I give you money to pick it up for me?</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:38910</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/38910.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=38910"/>
    <title>The Train</title>
    <published>2008-04-02T03:48:13Z</published>
    <updated>2008-04-02T18:54:14Z</updated>
    <category term="april fools"/>
    <category term="zombies"/>
    <content type="html">I never should have gotten out of the shower. I never should have answered the phone.&lt;br /&gt;&lt;br /&gt;It was Rishard. He needed me to pick him up at the train station in Glen Rock.&lt;br /&gt;&lt;br /&gt;"Sure. I just got out of the shower. Let me dry off and I'll head over there." &lt;br /&gt;&lt;br /&gt;I combed my hair, threw on an old pair of jeans, my brown hoodie and I ran out the door. He said the train would be pulling into the station at 9:30; it was 9 o'clock already. &lt;br /&gt;&lt;br /&gt;The night air was pleasant while I walked to my car. It felt like April. It felt like spring. There was a moisture to the air, though, like it was merely seconds from raining.&lt;br /&gt;&lt;br /&gt;I pulled up to the train platform at 9:15. I was early; very early as I would find out.&lt;br /&gt;&lt;br /&gt;04/01/08 09:16PM&lt;br /&gt;Hey I should be&lt;br /&gt;there around 9:40.&lt;br /&gt;***END***&lt;br /&gt;&lt;br /&gt;"Great. Instead of being 15 minutes early, I'm almost half an hour early. Guess I'll take a walk."&lt;br /&gt;&lt;br /&gt;There was a Starbucks down the road. It was still open. I got an iced coffee and walked out the door in time to see an unearthly electrical show in the sky. Heat lightning filled the night sky with an ethereal blue glow that contrasted against the still bare trees as they swayed in the growing wind.&lt;br /&gt;&lt;br /&gt;The train platform was empty except for a young couple that waited on a bench a few hundred yards from where I stood sipping my iced coffee and admiring the lightning show.&lt;br /&gt;&lt;br /&gt;I checked my watch: 9:34PM. Any minute now.&lt;br /&gt;&lt;br /&gt;A man in a black raincoat walked up to the platform on the other side of the tracks and checked his watch. He was drinking coffee too.&lt;br /&gt;&lt;br /&gt;Another text came in.&lt;br /&gt;&lt;br /&gt;04/01/08 09:39PM&lt;br /&gt;Did the math wrong.&lt;br /&gt;Will get there at&lt;br /&gt;9:50.&lt;br /&gt;***END***&lt;br /&gt;&lt;br /&gt;I continued to watch the lightning, which had increased in intensity since it started when I walked out of the coffee bar. It wasn't long before I felt the first drop of rain strike my wrist, followed by a few more of his cousins. &lt;br /&gt;&lt;br /&gt;The warning bell began to clang, and I could hear the train's horn not too far off in the distance. &lt;br /&gt;&lt;br /&gt;It pulled up to the platform just as the downpour began. The train came to a complete stop, and paused. The doors did not open; passengers did not walk off.&lt;br /&gt;&lt;br /&gt;Then the doors did open. But the passengers did not walk off. &lt;br /&gt;&lt;br /&gt;They stampeded. In a frenzy. Bloodied, mouth foaming. &lt;br /&gt;&lt;br /&gt;Hungry. God, they were hungry. &lt;br /&gt;&lt;br /&gt;They got to the young couple before any of us standing on that platform could comprehend and acknowledge what was happening.&lt;br /&gt;&lt;br /&gt;They popped the man's head off his shoulders as he jumped between them and his girlfriend. He shouldn't have bothered - her guts were on the platform floor before his neck muscles even cleared his corpse. &lt;br /&gt;&lt;br /&gt;I ran. Or, I started to, but the rain continued to pour, and the ground was slick. No traction. I fell forward, and continued to kick my feet out, hoping for some friction. But they were on me; they would have been on me anyway, there was just so many of them. &lt;br /&gt;&lt;br /&gt;They grabbed me by the shoulders and turned me around to face them.&lt;br /&gt;&lt;br /&gt;My phone started to vibrate. I had a text. The noise disturbed them and they backed away. I got to my feet and ran as I checked the text.&lt;br /&gt;&lt;br /&gt;04/01/08 09:51PM&lt;br /&gt;Whoops. Turns out I &lt;br /&gt;got on the train that &lt;br /&gt;stops at the other &lt;br /&gt;Glen Rock station.&lt;br /&gt;Can you meet me there?&lt;br /&gt;***END***</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:38522</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/38522.html"/>
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    <title>Work Procrastination Post</title>
    <published>2008-03-28T16:33:27Z</published>
    <updated>2008-03-28T16:33:27Z</updated>
    <content type="html">&lt;a href="http://www.am-i-dumb.com" title="How smart am I?"&gt;&lt;img src="http://www.am-i-dumb.com/images/stamps/95-6.gif" width="200" height="100" border="0" title="How smart are you?"&gt;&lt;/a&gt;&lt;br&gt;Am-I-Dumb.com - &lt;a href="http://www.am-i-dumb.com"&gt;Intelligence Test&lt;/a&gt;&lt;img style="visibility:hidden;width:0px;height:0px;" border="0" width="0" height="0" src="http://counters.gigya.com/wildfire/CIMP/Jmx*PTEyMDY3MjEzNzkzMTImcHQ9MTIwNjcyMTk1ODE*MCZwPTEwOTE5MSZkPUFJRCZuPQ==.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.humanforsale.com" title="How much am I worth?"&gt;&lt;img src="http://www.humanforsale.com/images/stamps2/2516.gif" width="200" height="150" border="0" title="How much are you worth?"&gt;&lt;/a&gt;&lt;br&gt;HumanForSale.com - &lt;a href="http://www.humanforsale.com" title="Free Quizzes"&gt;Free Quizzes&lt;/a&gt;&lt;img style="visibility:hidden;width:0px;height:0px;" border="0" width="0" height="0" src="http://counters.gigya.com/wildfire/CIMP/Jmx*PTEyMDY3MjA2Njg*NjgmcHQ9MTIwNjcyMTk3NDUxNSZwPTEwOTE5MSZkPUhGUyZuPQ==.jpg" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:37951</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/37951.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=37951"/>
    <title>Indiana Jones Widget</title>
    <published>2008-03-25T13:38:41Z</published>
    <updated>2008-03-25T13:38:41Z</updated>
    <content type="html">&lt;lj-embed id="7" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:37417</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/37417.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=37417"/>
    <title>"Buy a Ray Gun...Smoke Luckies...Fight the Commies..."</title>
    <published>2008-03-19T19:44:31Z</published>
    <updated>2008-03-19T19:44:31Z</updated>
    <category term="weta"/>
    <category term="ray guns"/>
    <category term="steampunk"/>
    <content type="html">This really tickled me! I've said it before, and I'll say it again, but damn I love Steampunk. And this might be the coolest collection of high priced things I really don't need and have no room for in the first place.&lt;br /&gt;&lt;br /&gt;&lt;lj-embed id="6" /&gt;&lt;br /&gt;&lt;br /&gt;Also, speaking of Steampunk, &lt;a href="http://www.sillof.com/index.htm"&gt;this site&lt;/a&gt; has really cool custom figures of Medieval Steampunk Star Wars, Victorian Justice League, and Venture Brothers. Too bad none of them are for sale.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:37304</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/37304.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=37304"/>
    <title>"Whatever happened to Fay Wray..."</title>
    <published>2008-03-19T15:14:20Z</published>
    <updated>2008-03-19T16:41:11Z</updated>
    <category term="the lafayette theatre"/>
    <category term="king kong"/>
    <content type="html">On Saturday, Dani and I went to see the original 1933 KING KONG, in glorious black and white, at the Lafayette Theatre in Suffern, as part of their Big Screen Classics series.&lt;br /&gt;&lt;br /&gt;I had always liked KING KONG. Liked. Not loved, but definitely really liked. But after seeing it on the big screen, I can't believe what a different experience it was, compared to watching it on a 19 inch television screen, which is how most people my age grew up watching it. I was just blown away by how visually striking it is, not to mention it's entertaining as hell.&lt;br /&gt;&lt;br /&gt;Seeing KONG on the big screen in that old movie palace reminded me of what going to the movies should be like. Not to mention that prior to the movie, instead of advertisements on the screen, they have a guy playing an antique Mighty Wurlitzer organ. Stepping through the doors of the Lafayette is like stepping into a time machine. Between the giant chandelier hanging from the center of the ceiling, the intricately adorned opera boxes, and the luscious red theater curtain, it's easy to imagine what it must have been like to see KING KONG during its original release in 1933.&lt;br /&gt;&lt;br /&gt;Seriously, if you ever get a chance to see a movie at the &lt;a href="http://en.wikipedia.org/wiki/Lafayette_Theatre_(Suffern)"&gt; Lafayette Theatre&lt;/a&gt;, do it. You'll never want to go back to a megaplex again.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Official website: &lt;a href="http://www.bigscreenclassics.com/indexlafayette.htm"&gt;http://www.bigscreenclassics.com/indexlafayette.htm&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:36651</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/36651.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=36651"/>
    <title>CTHULHU FHTAGN CHEEZBURGER</title>
    <published>2008-03-10T17:26:27Z</published>
    <updated>2008-03-10T17:26:27Z</updated>
    <content type="html">I know all my Lovecraftian friends will love this:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://lolthulhu.com/wp-content/uploads/2008/01/roger-been_sleepin.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;You can find more at www.lolthulhu.com.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:36445</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/36445.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=36445"/>
    <title>For My Rock Band Friends</title>
    <published>2008-03-06T16:16:49Z</published>
    <updated>2008-03-06T16:22:04Z</updated>
    <category term="guitar hero"/>
    <content type="html">LINGERIE GUITAR HERO!&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;lj-embed id="5" /&gt; &lt;br /&gt;&lt;br /&gt;Is it wrong that I could watch this all day?</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:36124</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/36124.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=36124"/>
    <title>Classic Film Festival</title>
    <published>2008-03-04T16:55:38Z</published>
    <updated>2008-03-04T16:55:38Z</updated>
    <category term="film festival"/>
    <category term="lafayette"/>
    <content type="html">The Lafayette Theatre in Suffern just announced the lineup for their Spring Classic Film Festival.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;March 8 - Alfred Hitchcock's NORTH BY NORTHWEST, Cary Grant, Eva Marie Saint &lt;br /&gt;&lt;br /&gt;March 15 - KING KONG, Robert Armstrong, Fay Wray - 75th Anniversary! &lt;br /&gt;&lt;br /&gt;March 22 - GRAND HOTEL, John Barrymore, Greta Garbo, Joan Crawford &lt;br /&gt;&lt;br /&gt;March 29 - DOUBLE INDEMNITY, Fred MacMurray,Barbara Stanwyck &lt;br /&gt;&lt;br /&gt;April 5 - THE NATURAL, Robert Redford, Glenn Close &lt;br /&gt;&lt;br /&gt;April 12 - JASON &amp; THE ARGONAUTS, Special Effects by Ray Harryhausen &lt;br /&gt;&lt;br /&gt;April 19 - Frank Capra's MR. SMITH GOES TO WASHINGTON, James Stewart, Jean Arthur &lt;br /&gt;&lt;br /&gt;April 26 - STAIRWAY TO HEAVEN (a.k.a. A MATTER OF LIFE &amp; DEATH), David Niven, Kim Hunter &lt;br /&gt;&lt;br /&gt;May 3 - ARTISTS AND MODELS, Dean Martin, Jerry Lewis &lt;br /&gt;&lt;br /&gt;May 10 - THE LADY FROM SHANGHAI, Rita Hayworth, Orson Welles &lt;br /&gt;&lt;br /&gt;May 17 - ADVENTURES OF ROBIN HOOD, Errol Flynn, Olivia de Havilland &lt;br /&gt;&lt;br /&gt;May 24 - CITY LIGHTS, Charlie Chaplin, Virginia Cherrill &lt;br /&gt;&lt;br /&gt;May 31 - IN A LONELY PLACE, Humphrey Bogart, Gloria Grahame &lt;br /&gt;&lt;br /&gt;June 7 - HIS GIRL FRIDAY, Cary Grant, Rosalind Russell &lt;br /&gt;&lt;br /&gt;June 14 - THE JOLSON STORY, Larry Parks, Evelyn Keyes &lt;br /&gt;&lt;br /&gt;June 21 - CARTOON &amp; COMEDY CARNIVAL, Looney Tunes, 3 Stooges, and more. ALL NEW! &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;While there are a number of movies on there that I would like to see on the big screen, I definitely want to see KING KONG and THE ADVENTURES OF ROBIN HOOD.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:35363</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/35363.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=35363"/>
    <title>Stupid Fanboy Geekery!</title>
    <published>2008-02-22T20:00:01Z</published>
    <updated>2008-02-22T20:00:01Z</updated>
    <category term="costumes"/>
    <category term="indiana jones"/>
    <category term="props"/>
    <content type="html">Oh, I want this jacket so badly:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.indyjacket.co.uk/Goat_01.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.indyjacket.co.uk/Lamb[1].jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.indyjacket.co.uk/lamb%20back.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;At least I finally have this to keep me happy until I can afford the jacket:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.indianajones.dk/Webside/Billeder/Indy-side/Gear/golden%20idol%20-%20icon.jpg" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:35265</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/35265.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=35265"/>
    <title>'All right stop, collaborate and listen..."</title>
    <published>2008-02-22T17:17:33Z</published>
    <updated>2008-02-22T17:17:33Z</updated>
    <category term="subnormality"/>
    <category term="vanilla ice"/>
    <content type="html">Thanks to the webcomic "Subnormality," I just had the horrifying realization of my own age progession and mortality through the knowledge that the song "Ice Ice Baby" came out 18-fricken years ago! &lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.viruscomix.com/warpdrives.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt; When "Ice Ice Baby" was released:&lt;br /&gt;&lt;br /&gt;I was a freshman in high school at the time.&lt;br /&gt;I had just learned how to masturbate.&lt;br /&gt;My current girlfriend? In Fifth Grade.&lt;br /&gt;People ordered coffee in "Small," "Medium," and "Large."&lt;br /&gt;Bush Sr. was still president.&lt;br /&gt;There hadn't even been a FIRST attmept on the Twin Towers.&lt;br /&gt;Sadaam Hussein was considered the most evil man in the world.&lt;br /&gt;Johnny Carson was still hosting "The Tonight Show."&lt;br /&gt;People wrote journal entries like this in books.&lt;br /&gt;16-bit video games were "high tech."&lt;br /&gt;"The Rocky Horror Picture Show" had just been released on VHS.&lt;br /&gt;Kevin Costner had a successful career.&lt;br /&gt;Kurt Cobain was really just starting his career.&lt;br /&gt;Gas was $1.30 per gallon.&lt;br /&gt;&lt;br /&gt;This means that in two years, it will have been 20 years since I started high school, and in six years, I'll celebrate my 20th high school reunion.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:34884</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/34884.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=34884"/>
    <title>Too Tired to Write a Clever Subject Line</title>
    <published>2008-02-22T04:08:54Z</published>
    <updated>2008-02-29T21:54:36Z</updated>
    <category term="questions"/>
    <category term="meme"/>
    <content type="html">1. Leave me a casual comment of no particular significance, like a lyric to your current favorite song, or your favorite kind of sandwich, maybe your favorite game. Any remark, meaningless or not.&lt;br /&gt;2. I will respond by asking you five personal questions so I can get to know you better.&lt;br /&gt;3. Update your LJ with the answers to the questions.&lt;br /&gt;4. Include this explanation and offer to ask someone else in your own post.&lt;br /&gt;5. When others respond with a desultory comment, you will ask them five questions.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;1. if you had the passes and permision to walk around on the new indiana jones movie set, have access everywhere, no limits and can talk to anyone, what would you do?&lt;/b&gt;&lt;br /&gt;I would actually want to get access to the wardrobe department and try to make off with costume pieces, like the leather jacket, a fedora, the whip. Then I would go to the prop department and see what I could "liberate" from there. Really, I would probably just use the opportunity to get cool things for my collection. I wouldn't want to spoil the movie by watching the filming and talking to cast and crew about it.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;2. where do you see yourself in 10 years?&lt;/b&gt;&lt;br /&gt;Funny you should ask this question, because I asked myself the same thing last week. The answer I came up with is, I want to have a Ph.D in Mythology and Folklore, writing books on the subject and teaching it at a university. I'm just now looking into getting my Master's as a first step towards that Ph.D. Hopefully by this time next year, I'll be enrolled in an online Master's program.&lt;br /&gt;&lt;br /&gt;I also plan on already being married to Dani by that time, living in Tarrytown or some other nice Westchester town. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;3. what movie do you think most indentifies with your life or a moment in your life? why?&lt;/b&gt;&lt;br /&gt;I would have to say that "High Fidelity" is the movie I most identify my life with, mainly because of John Cusack's character. I feel like I have an uncomfortable amount of the same hang-ups and neuroses that he has in that movie.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;4. you are on a plane on your way to someplace and for some reason, you need to land in tokyo, japan for a week, what would you do there?&lt;/b&gt;&lt;br /&gt;I would visit some Buddhist and Shinto shrines and temples, but mainly I would gorge myself on as much Kobe beef as I can shove in my pie hole.&lt;br /&gt;EDIT: How can I forget Disneyland Tokyo? I would absolutely visit that and the sister park, Tokyo DisneySea.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;5. what is your favorite quote? does it have particular meaning to you?&lt;/b&gt;&lt;br /&gt;"Follow your bliss and doors will open where there were no doors before." -- Joseph Campbell. It's my signature line for my Gmail account. I had this written on an index card, and when I was still trying to get my journalism career going back in 2003, I would take it out and read as a reminder. Not too long after, I got my reporting job at the Suburbanite. &lt;br /&gt;&lt;br /&gt;There is another quote; it's not a famous quote, in that a famous person didn't say it, but it does have a lot meaning for me: "The man who said it couldn't be done was interrupted by the man who did it." I heard this in high school from my Geometry teacher, Brother Ford, and I always think of that quote when I need some motivation.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;1. I know you're an Indiana Jones fan (then again, who isn't?). What is it about Indiana Jones that you like so much? What first got you interested?&lt;/b&gt;&lt;br /&gt;Like most kids who were born in the mid-70s and grew up in the 80s, there were really only two movie heros that mattered: Han Solo and Indiana Jones. The Indiana Jones movies were fun, action-packed, and tapped into the basic human thirst for mystery, adventure, and discovery. In the 90s, with Indy no longer at the multiplexes, James Bond and Quentin Tarantino became my general cinematic focus. I still appreciated Indy, but I was really under the spell of neo-noir movies, like a large chunk of the population was at that time. &lt;br /&gt;&lt;br /&gt;Around 2002, "Raiders of the Lost Ark," popped up on Channel 9 one night, and I watched it, and was reminded of how awesome a movie it is, and I remember having this really long conversation with a co-worker about it the next day (damn I miss coffeehouse conversations). Then in 2003, I went to Disney MGM Studios for the first time, and saw the "Indiana Jones Epic Stunt Spectacular," and it reignited my love of the those movies. At the same time, the movies were finally released on DVD, so I got to watch them all over again, in widescreen format the way they were intended. &lt;br /&gt;&lt;br /&gt;That lead to investigating how I could put together a screen accurate Halloween costume, and I found an online forum with information about how to buy the individual costume pieces, from the leather jacket to the fedora to the shirt, pants and belts/holsters. I spent the better part of a year, saving up and buying pieces when I had the money. The first thing I bought was the satchel, which is my favorite item because it's so functional -- I can use it without looking like I'm wearing a costume. However, the one costume piece I have yet to acquire, and desperately want, is a screen accuate leather jacket, manufactured by the original costume designers. If I only had $350 to blow. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;2. You have a choice - get your dream career, working the hours you choose with very generous pay, become extremely successful... but lose all of the friends you have now. Or, keep the friends you have, but have mediocre day jobs for the rest of your life. What do you choose and why?&lt;/b&gt;&lt;br /&gt;This is a tough question. If this were, say 8 years ago, I would say lose the friends for the money, because my friends at that time ended up not being good friends in the long run. Today, however, I have friends that are genuine and they are people that I couldn't imagine living without. So, 2008 Rob would have to say he wants to keep his friends.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;3. You have $20 left to your name. You can spend it on only 3 things - one practical, one frivolous, and one of your choosing. What do you buy?&lt;/b&gt;&lt;br /&gt;$10 on food that I could make last for awhile till more money came along (practical), $3 on a comic book (frivolous), and $7 on a ticket to "Indiana Jones and the Kingdom of the Crystal Skull" (my choosing).&lt;br /&gt;&lt;br /&gt;&lt;b&gt;4. Tell me about your Rocky Devirginization.&lt;/b&gt;&lt;br /&gt;I just had to fake an orgasm. Meh. Could have been worse.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;5. I'm totally ripping this question off from what I asked someone else. But. If you could only listen to ONE album for the rest of your life, what would you choose and why?&lt;/b&gt;&lt;br /&gt;I thought about this question A LOT because the album would have to have a degree of replay-ablity, and I would have to go with the amazing Reggae soundtrack "The Harder they Come," by Jimmy Cliff. It has a song for every mood, from upbeat ("The Harder They Come," "You Can Get It If You Really Want"),  to somber ("Many Rivers to Cross") to pensively optimistic ("Sitting in Limbo").</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:34712</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/34712.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=34712"/>
    <title>Books--Yoinked from Amanda</title>
    <published>2008-02-20T18:10:06Z</published>
    <updated>2008-02-20T21:19:36Z</updated>
    <category term="books"/>
    <content type="html">I saw that Amanda had posted this, and I was curious just how many of these books I had read (30).&lt;br /&gt;&lt;br /&gt;This list made me realize that I have to read more Graham Greene, and by more I mean that I've read nothing at all and need to start. I also have to read Gabriel Garcia Marquez. I've read his short stories, which are amazing, but "One Hundred Years of Solitude" is still on my shelf waiting to be read.&lt;br /&gt;&lt;br /&gt;Some surprises about this list -- Nothing by Michael Chabon, yet an overabundance of Don DeLillo. Also, only one Stephen King novel, and it's not even "It." And I'm surprised Neil Gaiman didn't make the list; "American Gods" should be required reading. And where's Joseph Campbell's "The Hero with a Thousand Faces"? Also, for pre-1700 -- where's "The Epic of Gilgamesh"?&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;2000s &lt;br /&gt;&lt;br /&gt;Never Let Me Go – Kazuo Ishiguro &lt;br /&gt;Saturday – Ian McEwan &lt;br /&gt;On Beauty – Zadie Smith &lt;br /&gt;Slow Man – J.M. Coetzee &lt;br /&gt;Adjunct: An Undigest – Peter Manson &lt;br /&gt;The Sea – John Banville &lt;br /&gt;The Red Queen – Margaret Drabble &lt;br /&gt;The Plot Against America – Philip Roth &lt;br /&gt;The Master – Colm Tóibín &lt;br /&gt;Vanishing Point – David Markson &lt;br /&gt;The Lambs of London – Peter Ackroyd &lt;br /&gt;Dining on Stones – Iain Sinclair &lt;br /&gt;Cloud Atlas – David Mitchell &lt;br /&gt;Drop City – T. Coraghessan Boyle &lt;br /&gt;The Colour – Rose Tremain &lt;br /&gt;Thursbitch – Alan Garner &lt;br /&gt;The Light of Day – Graham Swift &lt;br /&gt;What I Loved – Siri Hustvedt &lt;br /&gt;The Curious Incident of the Dog in the Night-Time – Mark Haddon &lt;br /&gt;Islands – Dan Sleigh &lt;br /&gt;Elizabeth Costello – J.M. Coetzee &lt;br /&gt;London Orbital – Iain Sinclair &lt;br /&gt;Family Matters – Rohinton Mistry &lt;br /&gt;Fingersmith – Sarah Waters &lt;br /&gt;The Double – José Saramago &lt;br /&gt;Everything is Illuminated – Jonathan Safran Foer &lt;br /&gt;Unless – Carol Shields &lt;br /&gt;Kafka on the Shore – Haruki Murakami &lt;br /&gt;The Story of Lucy Gault – William Trevor &lt;br /&gt;That They May Face the Rising Sun – John McGahern &lt;br /&gt;In the Forest – Edna O’Brien &lt;br /&gt;Shroud – John Banville &lt;br /&gt;Middlesex – Jeffrey Eugenides &lt;br /&gt;Youth – J.M. Coetzee &lt;br /&gt;Dead Air – Iain Banks &lt;br /&gt;Nowhere Man – Aleksandar Hemon &lt;br /&gt;The Book of Illusions – Paul Auster &lt;br /&gt;Gabriel’s Gift – Hanif Kureishi &lt;br /&gt;Austerlitz – W.G. Sebald &lt;br /&gt;Platform – Michael Houellebecq &lt;br /&gt;Schooling – Heather McGowan &lt;br /&gt;Atonement – Ian McEwan &lt;br /&gt;The Corrections – Jonathan Franzen &lt;br /&gt;Don’t Move – Margaret Mazzantini &lt;br /&gt;The Body Artist – Don DeLillo &lt;br /&gt;Fury – Salman Rushdie &lt;br /&gt;At Swim, Two Boys – Jamie O’Neill &lt;br /&gt;&lt;b&gt;Choke – Chuck Palahniuk&lt;/b&gt; &lt;br /&gt;Life of Pi – Yann Martel &lt;br /&gt;The Feast of the Goat – Mario Vargos Llosa &lt;br /&gt;An Obedient Father – Akhil Sharma &lt;br /&gt;The Devil and Miss Prym – Paulo Coelho &lt;br /&gt;Spring Flowers, Spring Frost – Ismail Kadare &lt;br /&gt;White Teeth – Zadie Smith &lt;br /&gt;The Heart of Redness – Zakes Mda &lt;br /&gt;Under the Skin – Michel Faber &lt;br /&gt;Ignorance – Milan Kundera &lt;br /&gt;Nineteen Seventy Seven – David Peace&lt;br /&gt;Celestial Harmonies – Péter Esterházy &lt;br /&gt;City of God – E.L. Doctorow &lt;br /&gt;How the Dead Live – Will Self &lt;br /&gt;The Human Stain – Philip Roth &lt;br /&gt;The Blind Assassin – Margaret Atwood &lt;br /&gt;After the Quake – Haruki Murakami &lt;br /&gt;Small Remedies – Shashi Deshpande &lt;br /&gt;Super-Cannes – J.G. Ballard &lt;br /&gt;House of Leaves – Mark Z. Danielewski &lt;br /&gt;Blonde – Joyce Carol Oates &lt;br /&gt;Pastoralia – George Saunders &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1900s &lt;br /&gt;&lt;br /&gt;Timbuktu – Paul Auster &lt;br /&gt;The Romantics – Pankaj Mishra &lt;br /&gt;Cryptonomicon – Neal Stephenson &lt;br /&gt;As If I Am Not There – Slavenka Drakuli? &lt;br /&gt;Everything You Need – A.L. Kennedy &lt;br /&gt;Fear and Trembling – Amélie Nothomb &lt;br /&gt;&lt;b&gt;The Ground Beneath Her Feet – Salman Rushdie&lt;/b&gt;&lt;br /&gt;Disgrace – J.M. Coetzee &lt;br /&gt;Sputnik Sweetheart – Haruki Murakami &lt;br /&gt;Elementary Particles – Michel Houellebecq &lt;br /&gt;Intimacy – Hanif Kureishi &lt;br /&gt;Amsterdam – Ian McEwan &lt;br /&gt;Cloudsplitter – Russell Banks &lt;br /&gt;All Souls Day – Cees Nooteboom &lt;br /&gt;The Talk of the Town – Ardal O’Hanlon &lt;br /&gt;Tipping the Velvet – Sarah Waters &lt;br /&gt;The Poisonwood Bible – Barbara Kingsolver&lt;br /&gt;Glamorama – Bret Easton Ellis &lt;br /&gt;Another World – Pat Barker &lt;br /&gt;The Hours – Michael Cunningham &lt;br /&gt;Veronika Decides to Die – Paulo Coelho &lt;br /&gt;Mason &amp; Dixon – Thomas Pynchon &lt;br /&gt;The God of Small Things – Arundhati Roy &lt;br /&gt;Memoirs of a Geisha – Arthur Golden &lt;br /&gt;Great Apes – Will Self &lt;br /&gt;Enduring Love – Ian McEwan &lt;br /&gt;Underworld – Don DeLillo &lt;br /&gt;Jack Maggs – Peter Carey &lt;br /&gt;The Life of Insects – Victor Pelevin &lt;br /&gt;American Pastoral – Philip Roth &lt;br /&gt;The Untouchable – John Banville &lt;br /&gt;Silk – Alessandro Baricco &lt;br /&gt;Cocaine Nights – J.G. Ballard &lt;br /&gt;Hallucinating Foucault – Patricia Duncker &lt;br /&gt;Fugitive Pieces – Anne Michaels &lt;br /&gt;The Ghost Road – Pat Barker &lt;br /&gt;Forever a Stranger – Hella Haasse &lt;br /&gt;Infinite Jest – David Foster Wallace &lt;br /&gt;The Clay Machine-Gun – Victor Pelevin &lt;br /&gt;Alias Grace – Margaret Atwood &lt;br /&gt;The Unconsoled – Kazuo Ishiguro &lt;br /&gt;Morvern Callar – Alan Warner &lt;br /&gt;The Information – Martin Amis &lt;br /&gt;The Moor’s Last Sigh – Salman Rushdie &lt;br /&gt;Sabbath’s Theater – Philip Roth &lt;br /&gt;The Rings of Saturn – W.G. Sebald &lt;br /&gt;The Reader – Bernhard Schlink &lt;br /&gt;A Fine Balance – Rohinton Mistry &lt;br /&gt;Love’s Work – Gillian Rose &lt;br /&gt;The End of the Story – Lydia Davis &lt;br /&gt;Mr. Vertigo – Paul Auster &lt;br /&gt;The Folding Star – Alan Hollinghurst &lt;br /&gt;Whatever – Michel Houellebecq &lt;br /&gt;Land – Park Kyong-ni &lt;br /&gt;The Master of Petersburg – J.M. Coetzee &lt;br /&gt;The Wind-Up Bird Chronicle – Haruki Murakami &lt;br /&gt;Pereira Declares: A Testimony – Antonio Tabucchi &lt;br /&gt;City Sister Silver – Jàchym Topol &lt;br /&gt;How Late It Was, How Late – James Kelman &lt;br /&gt;Captain Corelli’s Mandolin – Louis de Bernieres &lt;br /&gt;Felicia’s Journey – William Trevor &lt;br /&gt;Disappearance – David Dabydeen &lt;br /&gt;The Invention of Curried Sausage – Uwe Timm &lt;br /&gt;The Shipping News – E. Annie Proulx &lt;br /&gt;Trainspotting – Irvine Welsh &lt;br /&gt;Birdsong – Sebastian Faulks &lt;br /&gt;Looking for the Possible Dance – A.L. Kennedy &lt;br /&gt;Operation Shylock – Philip Roth &lt;br /&gt;Complicity – Iain Banks &lt;br /&gt;On Love – Alain de Botton &lt;br /&gt;What a Carve Up! – Jonathan Coe &lt;br /&gt;A Suitable Boy – Vikram Seth &lt;br /&gt;The Stone Diaries – Carol Shields &lt;br /&gt;The Virgin Suicides – Jeffrey Eugenides &lt;br /&gt;The House of Doctor Dee – Peter Ackroyd &lt;br /&gt;The Robber Bride – Margaret Atwood &lt;br /&gt;The Emigrants – W.G. Sebald &lt;br /&gt;The Secret History – Donna Tartt &lt;br /&gt;Life is a Caravanserai – Emine Özdamar &lt;br /&gt;The Discovery of Heaven – Harry Mulisch &lt;br /&gt;A Heart So White – Javier Marias &lt;br /&gt;Possessing the Secret of Joy – Alice Walker &lt;br /&gt;Indigo – Marina Warner &lt;br /&gt;The Crow Road – Iain Banks &lt;br /&gt;Written on the Body – Jeanette Winterson &lt;br /&gt;Jazz – Toni Morrison &lt;br /&gt;The English Patient – Michael Ondaatje &lt;br /&gt;Smilla’s Sense of Snow – Peter Høeg &lt;br /&gt;The Butcher Boy – Patrick McCabe &lt;br /&gt;Black Water – Joyce Carol Oates &lt;br /&gt;The Heather Blazing – Colm Tóibín &lt;br /&gt;Asphodel – H.D. (Hilda Doolittle) &lt;br /&gt;Black Dogs – Ian McEwan &lt;br /&gt;Hideous Kinky – Esther Freud &lt;br /&gt;Arcadia – Jim Crace &lt;br /&gt;Wild Swans – Jung Chang &lt;br /&gt;American Psycho – Bret Easton Ellis &lt;br /&gt;Time’s Arrow – Martin Amis &lt;br /&gt;Mao II – Don DeLillo &lt;br /&gt;Typical – Padgett Powell &lt;br /&gt;Regeneration – Pat Barker &lt;br /&gt;Downriver – Iain Sinclair &lt;br /&gt;Señor Vivo and the Coca Lord – Louis de Bernieres &lt;br /&gt;Wise Children – Angela Carter &lt;br /&gt;&lt;b&gt;Get Shorty – Elmore Leonard&lt;/b&gt; &lt;br /&gt;Amongst Women – John McGahern &lt;br /&gt;Vineland – Thomas Pynchon &lt;br /&gt;Vertigo – W.G. Sebald &lt;br /&gt;Stone Junction – Jim Dodge &lt;br /&gt;The Music of Chance – Paul Auster &lt;br /&gt;The Things They Carried – Tim O’Brien &lt;br /&gt;A Home at the End of the World – Michael Cunningham &lt;br /&gt;Like Life – Lorrie Moore &lt;br /&gt;Possession – A.S. Byatt &lt;br /&gt;The Buddha of Suburbia – Hanif Kureishi &lt;br /&gt;The Midnight Examiner – William Kotzwinkle &lt;br /&gt;A Disaffection – James Kelman &lt;br /&gt;Sexing the Cherry – Jeanette Winterson &lt;br /&gt;Moon Palace – Paul Auster &lt;br /&gt;Billy Bathgate – E.L. Doctorow &lt;br /&gt;Remains of the Day – Kazuo Ishiguro &lt;br /&gt;The Melancholy of Resistance – László Krasznahorkai &lt;br /&gt;The Temple of My Familiar – Alice Walker &lt;br /&gt;The Trick is to Keep Breathing – Janice Galloway &lt;br /&gt;The History of the Siege of Lisbon – José Saramago &lt;br /&gt;Like Water for Chocolate – Laura Esquivel &lt;br /&gt;A Prayer for Owen Meany – John Irving &lt;br /&gt;London Fields – Martin Amis &lt;br /&gt;The Book of Evidence – John Banville &lt;br /&gt;Cat’s Eye – Margaret Atwood &lt;br /&gt;Foucault’s Pendulum – Umberto Eco &lt;br /&gt;The Beautiful Room is Empty – Edmund White &lt;br /&gt;Wittgenstein’s Mistress – David Markson &lt;br /&gt;The Satanic Verses – Salman Rushdie &lt;br /&gt;The Swimming-Pool Library – Alan Hollinghurst &lt;br /&gt;Oscar and Lucinda – Peter Carey &lt;br /&gt;Libra – Don DeLillo &lt;br /&gt;The Player of Games – Iain M. Banks &lt;br /&gt;Nervous Conditions – Tsitsi Dangarembga &lt;br /&gt;The Long Dark Teatime of the Soul – Douglas Adams &lt;br /&gt;Dirk Gently’s Holistic Detective Agency – Douglas Adams &lt;br /&gt;The Radiant Way – Margaret Drabble &lt;br /&gt;The Afternoon of a Writer – Peter Handke &lt;br /&gt;The Black Dahlia – James Ellroy &lt;br /&gt;The Passion – Jeanette Winterson &lt;br /&gt;The Pigeon – Patrick Süskind &lt;br /&gt;The Child in Time – Ian McEwan &lt;br /&gt;Cigarettes – Harry Mathews &lt;br /&gt;The Bonfire of the Vanities – Tom Wolfe &lt;br /&gt;The New York Trilogy – Paul Auster &lt;br /&gt;World’s End – T. Coraghessan Boyle &lt;br /&gt;Enigma of Arrival – V.S. Naipaul &lt;br /&gt;The Taebek Mountains – Jo Jung-rae &lt;br /&gt;Beloved – Toni Morrison &lt;br /&gt;Anagrams – Lorrie Moore &lt;br /&gt;Matigari – Ngugi Wa Thiong’o &lt;br /&gt;Marya – Joyce Carol Oates &lt;br /&gt;&lt;b&gt;Watchmen – Alan Moore &amp; David Gibbons&lt;/b&gt; &lt;br /&gt;The Old Devils – Kingsley Amis &lt;br /&gt;Lost Language of Cranes – David Leavitt &lt;br /&gt;An Artist of the Floating World – Kazuo Ishiguro &lt;br /&gt;Extinction – Thomas Bernhard &lt;br /&gt;Foe – J.M. Coetzee &lt;br /&gt;The Drowned and the Saved – Primo Levi &lt;br /&gt;Reasons to Live – Amy Hempel &lt;br /&gt;The Parable of the Blind – Gert Hofmann &lt;br /&gt;Love in the Time of Cholera – Gabriel García Márquez &lt;br /&gt;Oranges Are Not the Only Fruit – Jeanette Winterson &lt;br /&gt;The Cider House Rules – John Irving &lt;br /&gt;A Maggot – John Fowles &lt;br /&gt;Less Than Zero – Bret Easton Ellis &lt;br /&gt;Contact – Carl Sagan &lt;br /&gt;The Handmaid’s Tale – Margaret Atwood &lt;br /&gt;Perfume – Patrick Süskind &lt;br /&gt;Old Masters – Thomas Bernhard &lt;br /&gt;White Noise – Don DeLillo &lt;br /&gt;Queer – William Burroughs &lt;br /&gt;Hawksmoor – Peter Ackroyd &lt;br /&gt;Legend – David Gemmell &lt;br /&gt;Dictionary of the Khazars – Milorad Pavi? &lt;br /&gt;The Bus Conductor Hines – James Kelman &lt;br /&gt;The Year of the Death of Ricardo Reis – José Saramago &lt;br /&gt;The Lover – Marguerite Duras &lt;br /&gt;Empire of the Sun – J.G. Ballard &lt;br /&gt;The Wasp Factory – Iain Banks &lt;br /&gt;Nights at the Circus – Angela Carter &lt;br /&gt;The Unbearable Lightness of Being – Milan Kundera &lt;br /&gt;Blood and Guts in High School – Kathy Acker &lt;br /&gt;Neuromancer – William Gibson &lt;br /&gt;Flaubert’s Parrot – Julian Barnes &lt;br /&gt;Money: A Suicide Note – Martin Amis &lt;br /&gt;Shame – Salman Rushdie &lt;br /&gt;Worstward Ho – Samuel Beckett &lt;br /&gt;Fools of Fortune – William Trevor &lt;br /&gt;La Brava – Elmore Leonard &lt;br /&gt;Waterland – Graham Swift &lt;br /&gt;The Life and Times of Michael K – J.M. Coetzee &lt;br /&gt;The Diary of Jane Somers – Doris Lessing &lt;br /&gt;The Piano Teacher – Elfriede Jelinek &lt;br /&gt;The Sorrow of Belgium – Hugo Claus &lt;br /&gt;If Not Now, When? – Primo Levi &lt;br /&gt;A Boy’s Own Story – Edmund White &lt;br /&gt;The Color Purple – Alice Walker &lt;br /&gt;Wittgenstein’s Nephew – Thomas Bernhard &lt;br /&gt;A Pale View of Hills – Kazuo Ishiguro &lt;br /&gt;Schindler’s Ark – Thomas Keneally &lt;br /&gt;The House of the Spirits – Isabel Allende &lt;br /&gt;The Newton Letter – John Banville &lt;br /&gt;On the Black Hill – Bruce Chatwin &lt;br /&gt;Concrete – Thomas Bernhard &lt;br /&gt;The Names – Don DeLillo &lt;br /&gt;Rabbit is Rich – John Updike &lt;br /&gt;Lanark: A Life in Four Books – Alasdair Gray &lt;br /&gt;The Comfort of Strangers – Ian McEwan &lt;br /&gt;July’s People – Nadine Gordimer &lt;br /&gt;Summer in Baden-Baden – Leonid Tsypkin &lt;br /&gt;Broken April – Ismail Kadare &lt;br /&gt;Waiting for the Barbarians – J.M. Coetzee &lt;br /&gt;Midnight’s Children – Salman Rushdie &lt;br /&gt;Rites of Passage – William Golding &lt;br /&gt;Rituals – Cees Nooteboom &lt;br /&gt;Confederacy of Dunces – John Kennedy Toole &lt;br /&gt;City Primeval – Elmore Leonard &lt;br /&gt;The Name of the Rose – Umberto Eco &lt;br /&gt;The Book of Laughter and Forgetting – Milan Kundera &lt;br /&gt;Smiley’s People – John Le Carré &lt;br /&gt;Shikasta – Doris Lessing &lt;br /&gt;A Bend in the River – V.S. Naipaul &lt;br /&gt;Burger’s Daughter - Nadine Gordimer &lt;br /&gt;The Safety Net – Heinrich Böll &lt;br /&gt;If On a Winter’s Night a Traveler – Italo Calvino &lt;br /&gt;The Hitchhiker’s Guide to the Galaxy – Douglas Adams &lt;br /&gt;The Cement Garden – Ian McEwan &lt;br /&gt;The World According to Garp – John Irving &lt;br /&gt;Life: A User’s Manual – Georges Perec &lt;br /&gt;The Sea, The Sea – Iris Murdoch &lt;br /&gt;The Singapore Grip – J.G. Farrell &lt;br /&gt;Yes – Thomas Bernhard &lt;br /&gt;The Virgin in the Garden – A.S. Byatt &lt;br /&gt;In the Heart of the Country – J.M. Coetzee &lt;br /&gt;The Passion of New Eve – Angela Carter &lt;br /&gt;Delta of Venus – Anaïs Nin &lt;br /&gt;The Shining – Stephen King &lt;br /&gt;Dispatches – Michael Herr &lt;br /&gt;Petals of Blood – Ngugi Wa Thiong’o &lt;br /&gt;Song of Solomon – Toni Morrison &lt;br /&gt;The Hour of the Star – Clarice Lispector &lt;br /&gt;The Left-Handed Woman – Peter Handke &lt;br /&gt;Ratner’s Star – Don DeLillo &lt;br /&gt;The Public Burning – Robert Coover &lt;br /&gt;Interview With the Vampire – Anne Rice &lt;br /&gt;Cutter and Bone – Newton Thornburg &lt;br /&gt;Amateurs – Donald Barthelme &lt;br /&gt;Patterns of Childhood – Christa Wolf &lt;br /&gt;Autumn of the Patriarch – Gabriel García Márquez &lt;br /&gt;W, or the Memory of Childhood – Georges Perec &lt;br /&gt;A Dance to the Music of Time – Anthony Powell &lt;br /&gt;Grimus – Salman Rushdie &lt;br /&gt;The Dead Father – Donald Barthelme &lt;br /&gt;Fateless – Imre Kertész &lt;br /&gt;Willard and His Bowling Trophies – Richard Brautigan &lt;br /&gt;High Rise – J.G. Ballard &lt;br /&gt;Humboldt’s Gift – Saul Bellow &lt;br /&gt;Dead Babies – Martin Amis &lt;br /&gt;Correction – Thomas Bernhard &lt;br /&gt;Ragtime – E.L. Doctorow &lt;br /&gt;The Fan Man – William Kotzwinkle &lt;br /&gt;Dusklands – J.M. Coetzee &lt;br /&gt;The Lost Honor of Katharina Blum – Heinrich Böll &lt;br /&gt;Tinker Tailor Soldier Spy – John Le Carré &lt;br /&gt;&lt;b&gt;Breakfast of Champions – Kurt Vonnegut, Jr.&lt;/b&gt;&lt;br /&gt;Fear of Flying – Erica Jong &lt;br /&gt;A Question of Power – Bessie Head &lt;br /&gt;The Siege of Krishnapur – J.G. Farrell &lt;br /&gt;The Castle of Crossed Destinies – Italo Calvino &lt;br /&gt;Crash – J.G. Ballard &lt;br /&gt;The Honorary Consul – Graham Greene &lt;br /&gt;Gravity’s Rainbow – Thomas Pynchon &lt;br /&gt;The Black Prince – Iris Murdoch &lt;br /&gt;Sula – Toni Morrison &lt;br /&gt;Invisible Cities – Italo Calvino &lt;br /&gt;The Breast – Philip Roth &lt;br /&gt;The Summer Book – Tove Jansson &lt;br /&gt;G – John Berger &lt;br /&gt;Surfacing – Margaret Atwood &lt;br /&gt;House Mother Normal – B.S. Johnson &lt;br /&gt;In A Free State – V.S. Naipaul &lt;br /&gt;The Book of Daniel – E.L. Doctorow &lt;br /&gt;Fear and Loathing in Las Vegas – Hunter S. Thompson &lt;br /&gt;Group Portrait With Lady – Heinrich Böll &lt;br /&gt;The Wild Boys – William Burroughs &lt;br /&gt;Rabbit Redux – John Updike &lt;br /&gt;The Sea of Fertility – Yukio Mishima &lt;br /&gt;The Driver’s Seat – Muriel Spark &lt;br /&gt;The Ogre – Michael Tournier &lt;br /&gt;The Bluest Eye – Toni Morrison &lt;br /&gt;Goalie’s Anxiety at the Penalty Kick – Peter Handke &lt;br /&gt;I Know Why the Caged Bird Sings – Maya Angelou &lt;br /&gt;Mercier et Camier – Samuel Beckett &lt;br /&gt;Troubles – J.G. Farrell &lt;br /&gt;Jahrestage – Uwe Johnson &lt;br /&gt;The Atrocity Exhibition – J.G. Ballard &lt;br /&gt;Tent of Miracles – Jorge Amado &lt;br /&gt;Pricksongs and Descants – Robert Coover &lt;br /&gt;Blind Man With a Pistol – Chester Hines &lt;br /&gt;Slaughterhouse-five – Kurt Vonnegut, Jr. &lt;br /&gt;The French Lieutenant’s Woman – John Fowles &lt;br /&gt;The Green Man – Kingsley Amis &lt;br /&gt;Portnoy’s Complaint – Philip Roth &lt;br /&gt;The Godfather – Mario Puzo &lt;br /&gt;Ada – Vladimir Nabokov &lt;br /&gt;Them – Joyce Carol Oates &lt;br /&gt;A Void/Avoid – Georges Perec &lt;br /&gt;Eva Trout – Elizabeth Bowen &lt;br /&gt;Myra Breckinridge – Gore Vidal &lt;br /&gt;The Nice and the Good – Iris Murdoch &lt;br /&gt;Belle du Seigneur – Albert Cohen &lt;br /&gt;Cancer Ward – Aleksandr Isayevich Solzhenitsyn &lt;br /&gt;The First Circle – Aleksandr Isayevich Solzhenitsyn &lt;br /&gt;&lt;b&gt;2001: A Space Odyssey – Arthur C. Clarke&lt;/b&gt;&lt;br /&gt;Do Androids Dream of Electric Sheep? – Philip K. Dick &lt;br /&gt;Dark as the Grave Wherein My Friend is Laid – Malcolm Lowry &lt;br /&gt;The German Lesson – Siegfried Lenz &lt;br /&gt;In Watermelon Sugar – Richard Brautigan &lt;br /&gt;A Kestrel for a Knave – Barry Hines &lt;br /&gt;The Quest for Christa T. – Christa Wolf &lt;br /&gt;Chocky – John Wyndham &lt;br /&gt;The Electric Kool-Aid Acid Test – Tom Wolfe &lt;br /&gt;The Cubs and Other Stories – Mario Vargas Llosa &lt;br /&gt;One Hundred Years of Solitude - Gabriel García Márquez &lt;br /&gt;The Master and Margarita – Mikhail Bulgakov &lt;br /&gt;Pilgrimage – Dorothy Richardson &lt;br /&gt;The Joke – Milan Kundera &lt;br /&gt;No Laughing Matter – Angus Wilson &lt;br /&gt;The Third Policeman – Flann O’Brien &lt;br /&gt;A Man Asleep – Georges Perec &lt;br /&gt;The Birds Fall Down – Rebecca West &lt;br /&gt;Trawl – B.S. Johnson &lt;br /&gt;&lt;b&gt;In Cold Blood – Truman Capote&lt;/b&gt;&lt;br /&gt;The Magus – John Fowles &lt;br /&gt;The Vice-Consul – Marguerite Duras &lt;br /&gt;Wide Sargasso Sea – Jean Rhys &lt;br /&gt;Giles Goat-Boy – John Barth &lt;br /&gt;The Crying of Lot 49 – Thomas Pynchon &lt;br /&gt;Things – Georges Perec &lt;br /&gt;The River Between – Ngugi wa Thiong’o &lt;br /&gt;August is a Wicked Month – Edna O’Brien &lt;br /&gt;God Bless You, Mr. Rosewater – Kurt Vonnegut &lt;br /&gt;Everything That Rises Must Converge – Flannery O’Connor &lt;br /&gt;The Passion According to G.H. – Clarice Lispector &lt;br /&gt;Sometimes a Great Notion – Ken Kesey &lt;br /&gt;Come Back, Dr. Caligari – Donald Bartholme &lt;br /&gt;Albert Angelo – B.S. Johnson &lt;br /&gt;Arrow of God – Chinua Achebe &lt;br /&gt;The Ravishing of Lol V. Stein – Marguerite Duras &lt;br /&gt;Herzog – Saul Bellow &lt;br /&gt;V. – Thomas Pynchon &lt;br /&gt;Cat’s Cradle – Kurt Vonnegut &lt;br /&gt;The Graduate – Charles Webb &lt;br /&gt;Manon des Sources – Marcel Pagnol &lt;br /&gt;The Spy Who Came in from the Cold – John Le Carré &lt;br /&gt;The Girls of Slender Means – Muriel Spark &lt;br /&gt;Inside Mr. Enderby – Anthony Burgess &lt;br /&gt;The Bell Jar – Sylvia Plath &lt;br /&gt;One Day in the Life of Ivan Denisovich – Aleksandr Isayevich Solzhenitsyn &lt;br /&gt;The Collector – John Fowles &lt;br /&gt;One Flew Over the Cuckoo’s Nest – Ken Kesey &lt;br /&gt;A Clockwork Orange – Anthony Burgess &lt;br /&gt;Pale Fire – Vladimir Nabokov &lt;br /&gt;The Drowned World – J.G. Ballard &lt;br /&gt;The Golden Notebook – Doris Lessing &lt;br /&gt;Labyrinths – Jorg Luis Borges &lt;br /&gt;Girl With Green Eyes – Edna O’Brien &lt;br /&gt;The Garden of the Finzi-Continis – Giorgio Bassani &lt;br /&gt;Stranger in a Strange Land – Robert Heinlein &lt;br /&gt;Franny and Zooey – J.D. Salinger &lt;br /&gt;A Severed Head – Iris Murdoch &lt;br /&gt;Faces in the Water – Janet Frame &lt;br /&gt;Solaris – Stanislaw Lem &lt;br /&gt;Cat and Mouse – Günter Grass &lt;br /&gt;The Prime of Miss Jean Brodie – Muriel Spark &lt;br /&gt;Catch-22 – Joseph Heller &lt;br /&gt;The Violent Bear it Away – Flannery O’Connor &lt;br /&gt;How It Is – Samuel Beckett &lt;br /&gt;Our Ancestors – Italo Calvino &lt;br /&gt;The Country Girls – Edna O’Brien &lt;br /&gt;To Kill a Mockingbird – Harper Lee &lt;br /&gt;Rabbit, Run – John Updike &lt;br /&gt;Promise at Dawn – Romain Gary &lt;br /&gt;Cider With Rosie – Laurie Lee &lt;br /&gt;Billy Liar – Keith Waterhouse &lt;br /&gt;Naked Lunch – William Burroughs &lt;br /&gt;The Tin Drum – Günter Grass &lt;br /&gt;Absolute Beginners – Colin MacInnes &lt;br /&gt;Henderson the Rain King – Saul Bellow &lt;br /&gt;Memento Mori – Muriel Spark &lt;br /&gt;Billiards at Half-Past Nine – Heinrich Böll &lt;br /&gt;Breakfast at Tiffany’s – Truman Capote &lt;br /&gt;The Leopard – Giuseppe Tomasi di Lampedusa &lt;br /&gt;Pluck the Bud and Destroy the Offspring – Kenzaburo Oe &lt;br /&gt;A Town Like Alice – Nevil Shute &lt;br /&gt;The Bitter Glass – Eilís Dillon &lt;br /&gt;Things Fall Apart – Chinua Achebe &lt;br /&gt;Saturday Night and Sunday Morning – Alan Sillitoe &lt;br /&gt;Mrs. ‘Arris Goes to Paris – Paul Gallico &lt;br /&gt;Borstal Boy – Brendan Behan &lt;br /&gt;The End of the Road – John Barth &lt;br /&gt;The Once and Future King – T.H. White &lt;br /&gt;The Bell – Iris Murdoch &lt;br /&gt;Jealousy – Alain Robbe-Grillet &lt;br /&gt;Voss – Patrick White &lt;br /&gt;The Midwich Cuckoos – John Wyndham &lt;br /&gt;Blue Noon – Georges Bataille &lt;br /&gt;Homo Faber – Max Frisch &lt;br /&gt;&lt;b&gt;On the Road – Jack Kerouac&lt;/b&gt;&lt;br /&gt;Pnin – Vladimir Nabokov &lt;br /&gt;Doctor Zhivago – Boris Pasternak &lt;br /&gt;The Wonderful “O” – James Thurber &lt;br /&gt;Justine – Lawrence Durrell &lt;br /&gt;Giovanni’s Room – James Baldwin &lt;br /&gt;The Lonely Londoners – Sam Selvon &lt;br /&gt;The Roots of Heaven – Romain Gary &lt;br /&gt;Seize the Day – Saul Bellow &lt;br /&gt;The Floating Opera – John Barth &lt;br /&gt;&lt;b&gt;The Lord of the Rings – J.R.R. Tolkien&lt;/b&gt; &lt;br /&gt;The Talented Mr. Ripley – Patricia Highsmith &lt;br /&gt;Lolita – Vladimir Nabokov &lt;br /&gt;A World of Love – Elizabeth Bowen &lt;br /&gt;The Trusting and the Maimed – James Plunkett &lt;br /&gt;The Quiet American – Graham Greene &lt;br /&gt;The Last Temptation of Christ – Nikos Kazantzákis &lt;br /&gt;The Recognitions – William Gaddis &lt;br /&gt;The Ragazzi – Pier Paulo Pasolini &lt;br /&gt;Bonjour Tristesse – Françoise Sagan &lt;br /&gt;I’m Not Stiller – Max Frisch &lt;br /&gt;Self Condemned – Wyndham Lewis &lt;br /&gt;The Story of O – Pauline Réage &lt;br /&gt;A Ghost at Noon – Alberto Moravia &lt;br /&gt;Lord of the Flies – William Golding &lt;br /&gt;Under the Net – Iris Murdoch &lt;br /&gt;The Go-Between – L.P. Hartley &lt;br /&gt;The Long Goodbye – Raymond Chandler &lt;br /&gt;The Unnamable – Samuel Beckett &lt;br /&gt;Watt – Samuel Beckett &lt;br /&gt;Lucky Jim – Kingsley Amis &lt;br /&gt;Junkie – William Burroughs &lt;br /&gt;The Adventures of Augie March – Saul Bellow &lt;br /&gt;Go Tell It on the Mountain – James Baldwin &lt;br /&gt;Casino Royale – Ian Fleming &lt;br /&gt;The Judge and His Hangman – Friedrich Dürrenmatt &lt;br /&gt;Invisible Man – Ralph Ellison &lt;br /&gt;&lt;b&gt;The Old Man and the Sea – Ernest Hemingway&lt;/b&gt;&lt;br /&gt;Wise Blood – Flannery O’Connor &lt;br /&gt;The Killer Inside Me – Jim Thompson &lt;br /&gt;Memoirs of Hadrian – Marguerite Yourcenar &lt;br /&gt;Malone Dies – Samuel Beckett &lt;br /&gt;Day of the Triffids – John Wyndham &lt;br /&gt;Foundation – Isaac Asimov &lt;br /&gt;The Opposing Shore – Julien Gracq &lt;br /&gt;&lt;b&gt;The Catcher in the Rye – J.D. Salinger&lt;/b&gt; &lt;br /&gt;The Rebel – Albert Camus &lt;br /&gt;Molloy – Samuel Beckett &lt;br /&gt;The End of the Affair – Graham Greene &lt;br /&gt;The Abbot C – Georges Bataille &lt;br /&gt;The Labyrinth of Solitude – Octavio Paz &lt;br /&gt;The Third Man – Graham Greene &lt;br /&gt;The 13 Clocks – James Thurber &lt;br /&gt;Gormenghast – Mervyn Peake &lt;br /&gt;The Grass is Singing – Doris Lessing &lt;br /&gt;I, Robot – Isaac Asimov &lt;br /&gt;The Moon and the Bonfires – Cesare Pavese &lt;br /&gt;The Garden Where the Brass Band Played – Simon Vestdijk &lt;br /&gt;Love in a Cold Climate – Nancy Mitford &lt;br /&gt;The Case of Comrade Tulayev – Victor Serge &lt;br /&gt;The Heat of the Day – Elizabeth Bowen &lt;br /&gt;Kingdom of This World – Alejo Carpentier &lt;br /&gt;The Man With the Golden Arm – Nelson Algren &lt;br /&gt;Nineteen Eighty-Four – George Orwell &lt;br /&gt;All About H. Hatterr – G.V. Desani &lt;br /&gt;Disobedience – Alberto Moravia &lt;br /&gt;Death Sentence – Maurice Blanchot &lt;br /&gt;The Heart of the Matter – Graham Greene &lt;br /&gt;Cry, the Beloved Country – Alan Paton &lt;br /&gt;Doctor Faustus – Thomas Mann &lt;br /&gt;The Victim – Saul Bellow &lt;br /&gt;Exercises in Style – Raymond Queneau &lt;br /&gt;If This Is a Man – Primo Levi &lt;br /&gt;Under the Volcano – Malcolm Lowry &lt;br /&gt;The Path to the Nest of Spiders – Italo Calvino &lt;br /&gt;The Plague – Albert Camus &lt;br /&gt;Back – Henry Green &lt;br /&gt;Titus Groan – Mervyn Peake &lt;br /&gt;The Bridge on the Drina – Ivo Andri? &lt;br /&gt;Brideshead Revisited – Evelyn Waugh &lt;br /&gt;&lt;b&gt;Animal Farm – George Orwell&lt;/b&gt; &lt;br /&gt;Cannery Row – John Steinbeck &lt;br /&gt;The Pursuit of Love – Nancy Mitford &lt;br /&gt;Loving – Henry Green &lt;br /&gt;Arcanum 17 – André Breton &lt;br /&gt;Christ Stopped at Eboli – Carlo Levi &lt;br /&gt;&lt;b&gt;The Razor’s Edge – William Somerset Maugham&lt;/b&gt;&lt;br /&gt;Transit – Anna Seghers &lt;br /&gt;Ficciones – Jorge Luis Borges &lt;br /&gt;Dangling Man – Saul Bellow &lt;br /&gt;The Little Prince – Antoine de Saint-Exupéry &lt;br /&gt;Caught – Henry Green &lt;br /&gt;The Glass Bead Game – Herman Hesse &lt;br /&gt;Embers – Sandor Marai &lt;br /&gt;Go Down, Moses – William Faulkner &lt;br /&gt;The Outsider – Albert Camus &lt;br /&gt;In Sicily – Elio Vittorini &lt;br /&gt;The Poor Mouth – Flann O’Brien &lt;br /&gt;The Living and the Dead – Patrick White &lt;br /&gt;Hangover Square – Patrick Hamilton &lt;br /&gt;Between the Acts – Virginia Woolf &lt;br /&gt;The Hamlet – William Faulkner &lt;br /&gt;Farewell My Lovely – Raymond Chandler &lt;br /&gt;For Whom the Bell Tolls – Ernest Hemingway &lt;br /&gt;Native Son – Richard Wright &lt;br /&gt;The Power and the Glory – Graham Greene &lt;br /&gt;The Tartar Steppe – Dino Buzzati &lt;br /&gt;Party Going – Henry Green &lt;br /&gt;The Grapes of Wrath – John Steinbeck &lt;br /&gt;&lt;b&gt;Finnegans Wake – James Joyce&lt;/b&gt; &lt;br /&gt;&lt;b&gt;At Swim-Two-Birds – Flann O’Brien&lt;/b&gt; &lt;br /&gt;Coming Up for Air – George Orwell &lt;br /&gt;Goodbye to Berlin – Christopher Isherwood &lt;br /&gt;Tropic of Capricorn – Henry Miller &lt;br /&gt;Good Morning, Midnight – Jean Rhys &lt;br /&gt;&lt;b&gt;The Big Sleep – Raymond Chandler&lt;/b&gt; &lt;br /&gt;After the Death of Don Juan – Sylvie Townsend Warner &lt;br /&gt;Miss Pettigrew Lives for a Day – Winifred Watson &lt;br /&gt;Nausea – Jean-Paul Sartre &lt;br /&gt;Rebecca – Daphne du Maurier &lt;br /&gt;Cause for Alarm – Eric Ambler &lt;br /&gt;Brighton Rock – Graham Greene &lt;br /&gt;U.S.A. – John Dos Passos &lt;br /&gt;Murphy – Samuel Beckett &lt;br /&gt;Of Mice and Men – John Steinbeck &lt;br /&gt;Their Eyes Were Watching God – Zora Neale Hurston &lt;br /&gt;The Hobbit – J.R.R. Tolkien &lt;br /&gt;The Years – Virginia Woolf &lt;br /&gt;In Parenthesis – David Jones &lt;br /&gt;The Revenge for Love – Wyndham Lewis &lt;br /&gt;Out of Africa – Isak Dineson (Karen Blixen) &lt;br /&gt;&lt;b&gt;To Have and Have Not – Ernest Hemingway&lt;/b&gt; &lt;br /&gt;Summer Will Show – Sylvia Townsend Warner &lt;br /&gt;Eyeless in Gaza – Aldous Huxley &lt;br /&gt;The Thinking Reed – Rebecca West &lt;br /&gt;Gone With the Wind – Margaret Mitchell &lt;br /&gt;Keep the Aspidistra Flying – George Orwell &lt;br /&gt;Wild Harbour – Ian MacPherson &lt;br /&gt;Absalom, Absalom! – William Faulkner &lt;br /&gt;At the Mountains of Madness – H.P. Lovecraft &lt;br /&gt;Nightwood – Djuna Barnes &lt;br /&gt;Independent People – Halldór Laxness &lt;br /&gt;Auto-da-Fé – Elias Canetti &lt;br /&gt;The Last of Mr. Norris – Christopher Isherwood &lt;br /&gt;They Shoot Horses, Don’t They? – Horace McCoy &lt;br /&gt;The House in Paris – Elizabeth Bowen &lt;br /&gt;England Made Me – Graham Greene &lt;br /&gt;Burmese Days – George Orwell &lt;br /&gt;The Nine Tailors – Dorothy L. Sayers &lt;br /&gt;Threepenny Novel – Bertolt Brecht &lt;br /&gt;Novel With Cocaine – M. Ageyev &lt;br /&gt;The Postman Always Rings Twice – James M. Cain &lt;br /&gt;Tropic of Cancer – Henry Miller &lt;br /&gt;A Handful of Dust – Evelyn Waugh &lt;br /&gt;Tender is the Night – F. Scott Fitzgerald &lt;br /&gt;Thank You, Jeeves – P.G. Wodehouse &lt;br /&gt;Call it Sleep – Henry Roth &lt;br /&gt;Miss Lonelyhearts – Nathanael West &lt;br /&gt;Murder Must Advertise – Dorothy L. Sayers &lt;br /&gt;The Autobiography of Alice B. Toklas – Gertrude Stein &lt;br /&gt;Testament of Youth – Vera Brittain &lt;br /&gt;A Day Off – Storm Jameson &lt;br /&gt;The Man Without Qualities – Robert Musil &lt;br /&gt;A Scots Quair (Sunset Song) – Lewis Grassic Gibbon &lt;br /&gt;Journey to the End of the Night – Louis-Ferdinand Céline &lt;br /&gt;Brave New World – Aldous Huxley &lt;br /&gt;Cold Comfort Farm – Stella Gibbons &lt;br /&gt;To the North – Elizabeth Bowen &lt;br /&gt;The Thin Man – Dashiell Hammett &lt;br /&gt;The Radetzky March – Joseph Roth &lt;br /&gt;The Waves – Virginia Woolf &lt;br /&gt;The Glass Key – Dashiell Hammett &lt;br /&gt;Cakes and Ale – W. Somerset Maugham &lt;br /&gt;The Apes of God – Wyndham Lewis &lt;br /&gt;Her Privates We – Frederic Manning &lt;br /&gt;Vile Bodies – Evelyn Waugh &lt;br /&gt;&lt;b&gt;The Maltese Falcon – Dashiell Hammett&lt;/b&gt; &lt;br /&gt;Hebdomeros – Giorgio de Chirico &lt;br /&gt;Passing – Nella Larsen &lt;br /&gt;A Farewell to Arms – Ernest Hemingway &lt;br /&gt;Red Harvest – Dashiell Hammett &lt;br /&gt;Living – Henry Green &lt;br /&gt;The Time of Indifference – Alberto Moravia &lt;br /&gt;&lt;b&gt;All Quiet on the Western Front – Erich Maria Remarque&lt;/b&gt; &lt;br /&gt;Berlin Alexanderplatz – Alfred Döblin &lt;br /&gt;The Last September – Elizabeth Bowen &lt;br /&gt;Harriet Hume – Rebecca West &lt;br /&gt;The Sound and the Fury – William Faulkner &lt;br /&gt;Les Enfants Terribles – Jean Cocteau &lt;br /&gt;Look Homeward, Angel – Thomas Wolfe &lt;br /&gt;Story of the Eye – Georges Bataille &lt;br /&gt;Orlando – Virginia Woolf &lt;br /&gt;Lady Chatterley’s Lover – D.H. Lawrence &lt;br /&gt;The Well of Loneliness – Radclyffe Hall &lt;br /&gt;The Childermass – Wyndham Lewis &lt;br /&gt;Quartet – Jean Rhys &lt;br /&gt;Decline and Fall – Evelyn Waugh &lt;br /&gt;Quicksand – Nella Larsen &lt;br /&gt;Parade’s End – Ford Madox Ford &lt;br /&gt;Nadja – André Breton &lt;br /&gt;Steppenwolf – Herman Hesse &lt;br /&gt;Remembrance of Things Past – Marcel Proust &lt;br /&gt;To The Lighthouse – Virginia Woolf &lt;br /&gt;Tarka the Otter – Henry Williamson &lt;br /&gt;Amerika – Franz Kafka &lt;br /&gt;&lt;b&gt;The Sun Also Rises – Ernest Hemingway&lt;/b&gt; &lt;br /&gt;Blindness – Henry Green &lt;br /&gt;The Castle – Franz Kafka &lt;br /&gt;The Good Soldier Švejk – Jaroslav Hašek &lt;br /&gt;The Plumed Serpent – D.H. Lawrence &lt;br /&gt;One, None and a Hundred Thousand – Luigi Pirandello &lt;br /&gt;The Murder of Roger Ackroyd – Agatha Christie &lt;br /&gt;The Making of Americans – Gertrude Stein &lt;br /&gt;Manhattan Transfer – John Dos Passos &lt;br /&gt;Mrs. Dalloway – Virginia Woolf &lt;br /&gt;The Great Gatsby – F. Scott Fitzgerald &lt;br /&gt;The Counterfeiters – André Gide &lt;br /&gt;The Trial – Franz Kafka &lt;br /&gt;The Artamonov Business – Maxim Gorky &lt;br /&gt;The Professor’s House – Willa Cather &lt;br /&gt;Billy Budd, Foretopman – Herman Melville &lt;br /&gt;The Green Hat – Michael Arlen &lt;br /&gt;The Magic Mountain – Thomas Mann &lt;br /&gt;We – Yevgeny Zamyatin &lt;br /&gt;A Passage to India – E.M. Forster &lt;br /&gt;The Devil in the Flesh – Raymond Radiguet &lt;br /&gt;Zeno’s Conscience – Italo Svevo &lt;br /&gt;Cane – Jean Toomer &lt;br /&gt;Antic Hay – Aldous Huxley &lt;br /&gt;Amok – Stefan Zweig &lt;br /&gt;The Garden Party – Katherine Mansfield &lt;br /&gt;The Enormous Room – E.E. Cummings &lt;br /&gt;Jacob’s Room – Virginia Woolf &lt;br /&gt;Siddhartha – Herman Hesse &lt;br /&gt;The Glimpses of the Moon – Edith Wharton &lt;br /&gt;Life and Death of Harriett Frean – May Sinclair &lt;br /&gt;The Last Days of Humanity – Karl Kraus &lt;br /&gt;Aaron’s Rod – D.H. Lawrence &lt;br /&gt;Babbitt – Sinclair Lewis &lt;br /&gt;&lt;b&gt;Ulysses – James Joyce&lt;/b&gt; &lt;br /&gt;The Fox – D.H. Lawrence &lt;br /&gt;Crome Yellow – Aldous Huxley &lt;br /&gt;The Age of Innocence – Edith Wharton &lt;br /&gt;Main Street – Sinclair Lewis &lt;br /&gt;Women in Love – D.H. Lawrence &lt;br /&gt;Night and Day – Virginia Woolf &lt;br /&gt;Tarr – Wyndham Lewis &lt;br /&gt;The Return of the Soldier – Rebecca West &lt;br /&gt;The Shadow Line – Joseph Conrad &lt;br /&gt;Summer – Edith Wharton &lt;br /&gt;Growth of the Soil – Knut Hamsen &lt;br /&gt;Bunner Sisters – Edith Wharton &lt;br /&gt;A Portrait of the Artist as a Young Man – James Joyce &lt;br /&gt;Under Fire – Henri Barbusse &lt;br /&gt;Rashomon – Akutagawa Ryunosuke &lt;br /&gt;The Good Soldier – Ford Madox Ford &lt;br /&gt;The Voyage Out – Virginia Woolf &lt;br /&gt;Of Human Bondage – William Somerset Maugham &lt;br /&gt;The Rainbow – D.H. Lawrence &lt;br /&gt;The Thirty-Nine Steps – John Buchan &lt;br /&gt;Kokoro – Natsume Soseki &lt;br /&gt;Locus Solus – Raymond Roussel &lt;br /&gt;Rosshalde – Herman Hesse &lt;br /&gt;Tarzan of the Apes – Edgar Rice Burroughs &lt;br /&gt;The Ragged Trousered Philanthropists – Robert Tressell &lt;br /&gt;Sons and Lovers – D.H. Lawrence &lt;br /&gt;&lt;b&gt;Death in Venice – Thomas Mann&lt;/b&gt; &lt;br /&gt;The Charwoman’s Daughter – James Stephens &lt;br /&gt;Ethan Frome – Edith Wharton &lt;br /&gt;Fantômas – Marcel Allain and Pierre Souvestre &lt;br /&gt;Howards End – E.M. Forster &lt;br /&gt;Impressions of Africa – Raymond Roussel &lt;br /&gt;Three Lives – Gertrude Stein &lt;br /&gt;Martin Eden – Jack London &lt;br /&gt;Strait is the Gate – André Gide &lt;br /&gt;Tono-Bungay – H.G. Wells &lt;br /&gt;The Inferno – Henri Barbusse &lt;br /&gt;A Room With a View – E.M. Forster &lt;br /&gt;The Iron Heel – Jack London &lt;br /&gt;The Old Wives’ Tale – Arnold Bennett &lt;br /&gt;The House on the Borderland – William Hope Hodgson &lt;br /&gt;Mother – Maxim Gorky &lt;br /&gt;The Secret Agent – Joseph Conrad &lt;br /&gt;The Jungle – Upton Sinclair &lt;br /&gt;Young Törless – Robert Musil &lt;br /&gt;The Forsyte Sage – John Galsworthy &lt;br /&gt;The House of Mirth – Edith Wharton &lt;br /&gt;Professor Unrat – Heinrich Mann &lt;br /&gt;Where Angels Fear to Tread – E.M. Forster &lt;br /&gt;Nostromo – Joseph Conrad &lt;br /&gt;Hadrian the Seventh – Frederick Rolfe &lt;br /&gt;The Golden Bowl – Henry James &lt;br /&gt;The Ambassadors – Henry James &lt;br /&gt;The Riddle of the Sands – Erskine Childers &lt;br /&gt;The Immoralist – André Gide &lt;br /&gt;The Wings of the Dove – Henry James &lt;br /&gt;Heart of Darkness – Joseph Conrad &lt;br /&gt;The Hound of the Baskervilles – Sir Arthur Conan Doyle &lt;br /&gt;Buddenbrooks – Thomas Mann &lt;br /&gt;Kim – Rudyard Kipling &lt;br /&gt;Sister Carrie – Theodore Dreiser &lt;br /&gt;Lord Jim – Joseph Conrad &lt;br /&gt;&lt;br /&gt;1800s &lt;br /&gt;&lt;br /&gt;Some Experiences of an Irish R.M. – Somerville and Ross &lt;br /&gt;The Stechlin – Theodore Fontane &lt;br /&gt;The Awakening – Kate Chopin &lt;br /&gt;The Turn of the Screw – Henry James &lt;br /&gt;The War of the Worlds – H.G. Wells &lt;br /&gt;The Invisible Man – H.G. Wells &lt;br /&gt;What Maisie Knew – Henry James &lt;br /&gt;Fruits of the Earth – André Gide &lt;br /&gt;Dracula – Bram Stoker &lt;br /&gt;Quo Vadis – Henryk Sienkiewicz &lt;br /&gt;The Island of Dr. Moreau – H.G. Wells &lt;br /&gt;The Time Machine – H.G. Wells &lt;br /&gt;Effi Briest – Theodore Fontane &lt;br /&gt;Jude the Obscure – Thomas Hardy &lt;br /&gt;The Real Charlotte – Somerville and Ross &lt;br /&gt;The Yellow Wallpaper – Charlotte Perkins Gilman &lt;br /&gt;Born in Exile – George Gissing &lt;br /&gt;Diary of a Nobody – George &amp; Weedon Grossmith &lt;br /&gt;&lt;b&gt;The Adventures of Sherlock Holmes – Sir Arthur Conan Doyle&lt;/b&gt; &lt;br /&gt;News from Nowhere – William Morris &lt;br /&gt;New Grub Street – George Gissing &lt;br /&gt;Gösta Berling’s Saga – Selma Lagerlöf &lt;br /&gt;Tess of the D’Urbervilles – Thomas Hardy &lt;br /&gt;The Picture of Dorian Gray – Oscar Wilde &lt;br /&gt;The Kreutzer Sonata – Leo Tolstoy &lt;br /&gt;La Bête Humaine – Émile Zola &lt;br /&gt;By the Open Sea – August Strindberg &lt;br /&gt;Hunger – Knut Hamsun &lt;br /&gt;The Master of Ballantrae – Robert Louis Stevenson &lt;br /&gt;Pierre and Jean – Guy de Maupassant &lt;br /&gt;Fortunata and Jacinta – Benito Pérez Galdés &lt;br /&gt;The People of Hemsö – August Strindberg &lt;br /&gt;The Woodlanders – Thomas Hardy &lt;br /&gt;She – H. Rider Haggard &lt;br /&gt;The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson &lt;br /&gt;The Mayor of Casterbridge – Thomas Hardy &lt;br /&gt;Kidnapped – Robert Louis Stevenson &lt;br /&gt;&lt;b&gt;King Solomon’s Mines – H. Rider Haggard&lt;/b&gt; &lt;br /&gt;Germinal – Émile Zola &lt;br /&gt;The Adventures of Huckleberry Finn – Mark Twain &lt;br /&gt;Bel-Ami – Guy de Maupassant &lt;br /&gt;Marius the Epicurean – Walter Pater &lt;br /&gt;Against the Grain – Joris-Karl Huysmans &lt;br /&gt;The Death of Ivan Ilyich – Leo Tolstoy &lt;br /&gt;A Woman’s Life – Guy de Maupassant &lt;br /&gt;Treasure Island – Robert Louis Stevenson &lt;br /&gt;The House by the Medlar Tree – Giovanni Verga &lt;br /&gt;The Portrait of a Lady – Henry James &lt;br /&gt;Bouvard and Pécuchet – Gustave Flaubert &lt;br /&gt;Ben-Hur – Lew Wallace &lt;br /&gt;Nana – Émile Zola &lt;br /&gt;The Brothers Karamazov – Fyodor Dostoevsky &lt;br /&gt;The Red Room – August Strindberg &lt;br /&gt;Return of the Native – Thomas Hardy &lt;br /&gt;Anna Karenina – Leo Tolstoy &lt;br /&gt;Drunkard – Émile Zola &lt;br /&gt;Virgin Soil – Ivan Turgenev &lt;br /&gt;Daniel Deronda – George Eliot &lt;br /&gt;The Hand of Ethelberta – Thomas Hardy &lt;br /&gt;The Temptation of Saint Anthony – Gustave Flaubert &lt;br /&gt;Far from the Madding Crowd – Thomas Hardy &lt;br /&gt;The Enchanted Wanderer – Nicolai Leskov &lt;br /&gt;Around the World in Eighty Days – Jules Verne &lt;br /&gt;In a Glass Darkly – Sheridan Le Fanu &lt;br /&gt;The Devils – Fyodor Dostoevsky &lt;br /&gt;Erewhon – Samuel Butler &lt;br /&gt;Spring Torrents – Ivan Turgenev &lt;br /&gt;Middlemarch – George Eliot &lt;br /&gt;Through the Looking Glass, and What Alice Found There – Lewis Carroll &lt;br /&gt;King Lear of the Steppes – Ivan Turgenev &lt;br /&gt;He Knew He Was Right – Anthony Trollope &lt;br /&gt;War and Peace – Leo Tolstoy &lt;br /&gt;Sentimental Education – Gustave Flaubert &lt;br /&gt;Phineas Finn – Anthony Trollope &lt;br /&gt;Maldoror – Comte de Lautréaumont &lt;br /&gt;The Idiot – Fyodor Dostoevsky &lt;br /&gt;The Moonstone – Wilkie Collins &lt;br /&gt;Little Women – Louisa May Alcott &lt;br /&gt;Thérèse Raquin – Émile Zola &lt;br /&gt;The Last Chronicle of Barset – Anthony Trollope &lt;br /&gt;Journey to the Centre of the Earth – Jules Verne &lt;br /&gt;Crime and Punishment – Fyodor Dostoevsky &lt;br /&gt;Alice’s Adventures in Wonderland – Lewis Carroll &lt;br /&gt;Our Mutual Friend – Charles Dickens &lt;br /&gt;Uncle Silas – Sheridan Le Fanu &lt;br /&gt;Notes from the Underground – Fyodor Dostoevsky &lt;br /&gt;The Water-Babies – Charles Kingsley &lt;br /&gt;Les Misérables – Victor Hugo &lt;br /&gt;&lt;b&gt;Fathers and Sons – Ivan Turgenev&lt;/b&gt; &lt;br /&gt;Silas Marner – George Eliot &lt;br /&gt;Great Expectations – Charles Dickens &lt;br /&gt;On the Eve – Ivan Turgenev &lt;br /&gt;Castle Richmond – Anthony Trollope &lt;br /&gt;The Mill on the Floss – George Eliot &lt;br /&gt;The Woman in White – Wilkie Collins &lt;br /&gt;The Marble Faun – Nathaniel Hawthorne &lt;br /&gt;Max Havelaar – Multatuli &lt;br /&gt;A Tale of Two Cities – Charles Dickens &lt;br /&gt;Oblomovka – Ivan Goncharov &lt;br /&gt;Adam Bede – George Eliot &lt;br /&gt;Madame Bovary – Gustave Flaubert &lt;br /&gt;North and South – Elizabeth Gaskell &lt;br /&gt;Hard Times – Charles Dickens &lt;br /&gt;&lt;b&gt;Walden – Henry David Thoreau&lt;/b&gt; &lt;br /&gt;Bleak House – Charles Dickens &lt;br /&gt;Villette – Charlotte Brontë &lt;br /&gt;Cranford – Elizabeth Gaskell &lt;br /&gt;Uncle Tom’s Cabin; or, Life Among the Lonely – Harriet Beecher Stowe &lt;br /&gt;The Blithedale Romance – Nathaniel Hawthorne &lt;br /&gt;The House of the Seven Gables – Nathaniel Hawthorne &lt;br /&gt;Moby-Dick – Herman Melville &lt;br /&gt;The Scarlet Letter – Nathaniel Hawthorne &lt;br /&gt;David Copperfield – Charles Dickens &lt;br /&gt;Shirley – Charlotte Brontë &lt;br /&gt;Mary Barton – Elizabeth Gaskell &lt;br /&gt;The Tenant of Wildfell Hall – Anne Brontë &lt;br /&gt;Wuthering Heights – Emily Brontë &lt;br /&gt;Agnes Grey – Anne Brontë &lt;br /&gt;Jane Eyre – Charlotte Brontë &lt;br /&gt;Vanity Fair – William Makepeace Thackeray &lt;br /&gt;The Count of Monte-Cristo – Alexandre Dumas &lt;br /&gt;La Reine Margot – Alexandre Dumas &lt;br /&gt;The Three Musketeers – Alexandre Dumas &lt;br /&gt;The Purloined Letter – Edgar Allan Poe &lt;br /&gt;Martin Chuzzlewit – Charles Dickens &lt;br /&gt;The Pit and the Pendulum – Edgar Allan Poe &lt;br /&gt;Lost Illusions – Honoré de Balzac &lt;br /&gt;A Christmas Carol – Charles Dickens &lt;br /&gt;Dead Souls – Nikolay Gogol &lt;br /&gt;The Charterhouse of Parma – Stendhal &lt;br /&gt;&lt;b&gt;The Fall of the House of Usher – Edgar Allan Poe&lt;/b&gt; &lt;br /&gt;The Life and Adventures of Nicholas Nickleby – Charles Dickens &lt;br /&gt;Oliver Twist – Charles Dickens &lt;br /&gt;The Nose – Nikolay Gogol &lt;br /&gt;Le Père Goriot – Honoré de Balzac &lt;br /&gt;Eugénie Grandet – Honoré de Balzac &lt;br /&gt;The Hunchback of Notre Dame – Victor Hugo &lt;br /&gt;The Red and the Black – Stendhal &lt;br /&gt;The Betrothed – Alessandro Manzoni &lt;br /&gt;Last of the Mohicans – James Fenimore Cooper &lt;br /&gt;The Private Memoirs and Confessions of a Justified Sinner – James Hogg &lt;br /&gt;The Albigenses – Charles Robert Maturin &lt;br /&gt;Melmoth the Wanderer – Charles Robert Maturin &lt;br /&gt;The Monastery – Sir Walter Scott &lt;br /&gt;Ivanhoe – Sir Walter Scott &lt;br /&gt;Frankenstein – Mary Wollstonecraft Shelley &lt;br /&gt;Northanger Abbey – Jane Austen &lt;br /&gt;Persuasion – Jane Austen &lt;br /&gt;Ormond – Maria Edgeworth &lt;br /&gt;Rob Roy – Sir Walter Scott &lt;br /&gt;Emma – Jane Austen &lt;br /&gt;Mansfield Park – Jane Austen &lt;br /&gt;Pride and Prejudice – Jane Austen &lt;br /&gt;The Absentee – Maria Edgeworth &lt;br /&gt;Sense and Sensibility – Jane Austen &lt;br /&gt;Elective Affinities – Johann Wolfgang von Goethe &lt;br /&gt;Castle Rackrent – Maria Edgeworth &lt;br /&gt;&lt;br /&gt;1700s &lt;br /&gt;Hyperion – Friedrich Hölderlin &lt;br /&gt;The Nun – Denis Diderot &lt;br /&gt;Camilla – Fanny Burney &lt;br /&gt;The Monk – M.G. Lewis &lt;br /&gt;Wilhelm Meister’s Apprenticeship – Johann Wolfgang von Goethe &lt;br /&gt;The Mysteries of Udolpho – Ann Radcliffe &lt;br /&gt;The Interesting Narrative – Olaudah Equiano &lt;br /&gt;The Adventures of Caleb Williams – William Godwin &lt;br /&gt;Justine – Marquis de Sade &lt;br /&gt;Vathek – William Beckford &lt;br /&gt;The 120 Days of Sodom – Marquis de Sade &lt;br /&gt;Cecilia – Fanny Burney &lt;br /&gt;Confessions – Jean-Jacques Rousseau &lt;br /&gt;Dangerous Liaisons – Pierre Choderlos de Laclos &lt;br /&gt;Reveries of a Solitary Walker – Jean-Jacques Rousseau &lt;br /&gt;Evelina – Fanny Burney &lt;br /&gt;The Sorrows of Young Werther – Johann Wolfgang von Goethe &lt;br /&gt;Humphrey Clinker – Tobias George Smollett &lt;br /&gt;The Man of Feeling – Henry Mackenzie &lt;br /&gt;A Sentimental Journey – Laurence Sterne &lt;br /&gt;Tristram Shandy – Laurence Sterne &lt;br /&gt;The Vicar of Wakefield – Oliver Goldsmith &lt;br /&gt;The Castle of Otranto – Horace Walpole &lt;br /&gt;Émile; or, On Education – Jean-Jacques Rousseau &lt;br /&gt;Rameau’s Nephew – Denis Diderot &lt;br /&gt;Julie; or, the New Eloise – Jean-Jacques Rousseau &lt;br /&gt;Rasselas – Samuel Johnson &lt;br /&gt;&lt;b&gt;Candide – Voltaire&lt;/b&gt; &lt;br /&gt;The Female Quixote – Charlotte Lennox &lt;br /&gt;Amelia – Henry Fielding &lt;br /&gt;Peregrine Pickle – Tobias George Smollett &lt;br /&gt;Fanny Hill – John Cleland &lt;br /&gt;Tom Jones – Henry Fielding &lt;br /&gt;Roderick Random – Tobias George Smollett &lt;br /&gt;Clarissa – Samuel Richardson &lt;br /&gt;Pamela – Samuel Richardson &lt;br /&gt;Jacques the Fatalist – Denis Diderot &lt;br /&gt;Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Parnell, A. Pope, J. Swift &lt;br /&gt;Joseph Andrews – Henry Fielding &lt;br /&gt;&lt;b&gt;A Modest Proposal – Jonathan Swift&lt;/b&gt; &lt;br /&gt;Gulliver’s Travels – Jonathan Swift &lt;br /&gt;Roxana – Daniel Defoe &lt;br /&gt;Moll Flanders – Daniel Defoe &lt;br /&gt;Love in Excess – Eliza Haywood &lt;br /&gt;Robinson Crusoe – Daniel Defoe &lt;br /&gt;A Tale of a Tub – Jonathan Swift &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pre-1700 &lt;br /&gt;Oroonoko – Aphra Behn &lt;br /&gt;The Princess of Clèves – Marie-Madelaine Pioche de Lavergne, Comtesse de La Fayette &lt;br /&gt;The Pilgrim’s Progress – John Bunyan &lt;br /&gt;Don Quixote – Miguel de Cervantes Saavedra &lt;br /&gt;The Unfortunate Traveller – Thomas Nashe &lt;br /&gt;Euphues: The Anatomy of Wit – John Lyly &lt;br /&gt;Gargantua and Pantagruel – Françoise Rabelais &lt;br /&gt;The Thousand and One Nights – Anonymous &lt;br /&gt;The Golden Ass – Lucius Apuleius &lt;br /&gt;Aithiopika – Heliodorus &lt;br /&gt;Chaireas and Kallirhoe – Chariton &lt;br /&gt;Metamorphoses – Ovid &lt;br /&gt;&lt;b&gt;Aesop’s Fables – Aesopus&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;EDIT: To include "The Razor's Edge," which I missed when I first went through the list.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:34492</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/34492.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=34492"/>
    <title>I Have a Huge Geek Hard On Right Now...</title>
    <published>2008-02-14T15:11:20Z</published>
    <updated>2008-02-14T15:11:20Z</updated>
    <category term="indiana jones"/>
    <category term="trailer"/>
    <content type="html">Because they finally released the teaser trailer for "Indiana Jones and the Kingdom of the Crystal Skull"!&lt;br /&gt;&lt;br /&gt;&lt;lj-embed id="3" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I'm impressed. Would have liked to have seen more footage from the new movie, as opposed to the recap footage of the previous three, but g-ddamn it looks action packed!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:33932</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/33932.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=33932"/>
    <title>Fellow Rock Banders</title>
    <published>2008-01-31T22:03:40Z</published>
    <updated>2008-01-31T22:03:40Z</updated>
    <content type="html">I hope I didn't come across as being anti-social last night, sequestering myself in my room while all the Rock Band-goodness was going on downstairs. I'm battling a cold, and I was riding the Sudafed and Wild Turkey train. It made me loopy and really tired, so I threw on my pajamas and crawled into bed. &lt;br /&gt;&lt;br /&gt;Hopefully next week I'll be back in shape for another round of band practice.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:33651</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/33651.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=33651"/>
    <title>New Coaster to Debut at Great Adventure This Spring!</title>
    <published>2008-01-28T18:30:26Z</published>
    <updated>2008-01-28T19:02:50Z</updated>
    <category term="batman"/>
    <category term="great adventure"/>
    <category term="roller coasters"/>
    <content type="html">I just found this bit of news today. They're building a new Batman coaster to coincide with the release of "The Dark Knight" this summer. It's a "wild mouse" indoor coaster that combines special effects with what seems like an audience participation aspect.&lt;br /&gt;&lt;br /&gt;Here is the press release:&lt;br /&gt;&lt;br /&gt;A new roller coaster is coming to Six Flags Great America after a three year wait. The Gurnee theme park announced today "The Dark Knight Coaster," will open to much fanfare in 2008. &lt;br /&gt;&lt;br /&gt;The coaster will be built indoors, said Great America spokeswoman Brooke Gabbert, and will be based on the upcoming Warner Bros. "Batman"-themed movie, "The Dark Knight." The coaster is expected to cost about $7.5 million. &lt;br /&gt;&lt;br /&gt;Officials said the coaster will transform guests into citizens of the fictitious Gotham City. Those people will be caught in the middle of a city under siege being torn apart by the villain, The Joker. &lt;br /&gt;&lt;br /&gt;On the coaster, guests will venture through demented hallways of twists, turns and hallucinatory images while being tormented by The Joker. Then, after stepping on a distressed, vandalized train platform, they can only guess at what awaits them as they speed through hairpin turns, climb unseen hills, plunge into pitch darkness and dip into unforeseen danger. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Also, I heard that Heath Ledger was invited to the opening of the ride, but he said he planned on sleeping in that day.&lt;br /&gt;&lt;br /&gt;EDIT: Thanks to Shawn for pointing out something that I forgot to mention -- I had to use the press release for the Great America version of the ride. So there's no confusion, there will be a Dark Knight ride at Great Adventure in New Jersey, in addition to Great America in Illinois, and Six Flags New England.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:32003</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/32003.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=32003"/>
    <title>Snootch to the Muthafuckin' Nootch!</title>
    <published>2007-11-27T18:06:55Z</published>
    <updated>2007-11-27T18:06:55Z</updated>
    <content type="html">Kevin Smith is appearing at the Bergen PAC in Englewood in March.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.bergenpac.org/event.php?evid=373&amp;sid=9"&gt;http://www.bergenpac.org/event.php?evid=373&amp;sid=9&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Who wants to go and see "An Evening with Kevin Smith"? We seriously should get a group thing going for this.&lt;br /&gt;&lt;br /&gt;Tickets start at $29.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:31869</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/31869.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=31869"/>
    <title>In Defense of "Plan 9 from Outer Space"</title>
    <published>2007-10-26T16:55:02Z</published>
    <updated>2007-10-26T16:57:51Z</updated>
    <category term="plan 9"/>
    <category term="ed wood"/>
    <category term="b movies"/>
    <content type="html">Dani and I went to see a screening of this epic of crapulence at a horror movie festival last week. I've seen this numerous times before, and it's always a good time to spot the inconsistencies, the redundant and inane dialogue, and the "special" special effects.&lt;br /&gt;&lt;br /&gt;Regarded as the Worst Film Ever Made, "Plan 9" is director Edward. D. Wood Jr.'s "masterpiece," as it were; it is THE film for which he is known. With hubcap spaceships (wires showing and all), obviously fake tombstones (that fall over with the slightest nudge), and the, shall we say, fluid nature of time, in which day becomes night becomes day again over the course of one scene, it is truly a monument to bad filmmaking.&lt;br /&gt;&lt;br /&gt;But something has been nagging me since we were sitting in that darkened theatre, and it nagged me through most of the movie - "Plan 9 from Outer Space" should not be bad. It's obvious Ed Wood did not set out to just make a terrible B movie; he definitely had something to say. The story idea was just fine; it's just the execution of that idea which didn't go so well. &lt;br /&gt;&lt;br /&gt;For those of you who haven't been had the dubious pleasure of sitting through a screening of "Plan 9," let me get you up to speed with a brief synopsis:&lt;br /&gt;&lt;br /&gt;Old man's wife dies, he grieves, he gets hit by a car and dies. UFOs show up in the area and cause strange occurences. Dead wife returns from dead as zombie, kills grave diggers, kills inspector sent to investigate. Inspector and old man come back as zombies as well. Unfortunately dressed aliens return to space station to report on progress (and reveal plot to audience). Plan 9 involves reviving the dead to make the aliens presence known, as the govenrment has been denying their existence for years. Meanwhile, pilot sees UFOs over Los Angeles and is told to keep his mouth shut. Pilot also conveniently lives next to cemetary where the old man, wife and inspector were buried. After his wife is attacked by old man zombie, pilot investigates cemetary with Air Force officer and police. They find the UFO with the aforementioned unfortunately dressed alines and go inside. Unfortunately dressed aliens reveal their main mission - to prevent Earth scientists from stumbling upon the most destructive weapon in the universe: a bomb that harnesses the power of the sun a solar rays. This weapon can set off a chain reaction that would destroy not only the earth, but the entire universe. Fight ensues, fire is sparked, heroes escape before UFO explodes in cheaply produced fire effect. The end.&lt;br /&gt;&lt;br /&gt;Okay, not so brief, but you get the point.&lt;br /&gt;&lt;br /&gt;Sure the dialogue is terrible, the acting is awful, and often the plot contradicts itself. But, the basic idea that an advanced race of aliens coming to earth to prevent us from destroying ourselves and the universe with our mad dash to create more and more destructive weapons is a solid premise, and was executed more poignantly in "The Day the Earth Stood Still." Ed Wood, after all, was a veteran of World War II, so it's no stretch to suggest that his wartime experiences, and the horrors he probably witnessed during the Battle of Guadalcanal, would lead him to create an antiwar film, which is what I feel "Plan 9" was intended to be at its heart - an antiwar film wrapped up in the conventions of a Sci-Fi Horror movie with zombies and UFOs.&lt;br /&gt;&lt;br /&gt;Not to mention the multiple story line structure, where unrelated characters are brought together near the end of the film as a result of their connection to the phenomena is a pretty sophisticated narrative device, used to much greater effect in films such as "Traffic" and "Babel."&lt;br /&gt;&lt;br /&gt;I'm going to go out on a limb and say that "Plan 9" could be a legitimately good film (heck even a great film) if remade by a talented and competent filmmaker. There is an urban legend, I think, that says that Wood never or rarely did rewrites of his own scripts. I think if the script of "Plan 9" was given to a modern screenwriter today (not a hack, mind you), and had it's plot holes filled in, and that script was given to an A list director like Steven Soderbergh or Ridley Scott, it could be a much better - and thought provoking - film than it is now. Because "Plan 9" is a good film trapped in B movie body. And like the zombies the aliens created, all it needs is to have new life put into it.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:31570</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/31570.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=31570"/>
    <title>Puttin' on the Ritz!</title>
    <published>2007-10-16T16:06:15Z</published>
    <updated>2007-10-16T16:06:15Z</updated>
    <category term="young frankenstein"/>
    <content type="html">Going to see "Young Frankenstein: The Musical" tonight with Dani.&lt;br /&gt;&lt;br /&gt;I can't fucking wait!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:sammytequila:31329</id>
    <link rel="alternate" type="text/html" href="http://sammytequila.livejournal.com/31329.html"/>
    <link rel="self" type="text/xml" href="http://sammytequila.livejournal.com/data/atom/?itemid=31329"/>
    <title>Horror Movie Festival</title>
    <published>2007-10-11T18:22:03Z</published>
    <updated>2007-10-11T18:22:03Z</updated>
    <category term="festival"/>
    <category term="movie"/>
    <category term="lafayette"/>
    <category term="horror"/>
    <content type="html">There is a Horror Movie Festival coming up at the Lafayette Theatre in Suffern, NY (near Ramapo College). They have it every year, and this year there are some pretty movies in the lineup.&lt;br /&gt;&lt;br /&gt;Here is the complete lineup (from their website):&lt;br /&gt;&lt;br /&gt;The Lafayette Theatre's HORROR-THON returns on October 19-20-21! FLASH:&lt;br /&gt; Bela Lugosi's Dracula cape (worn by him on-screen in "Abbott &amp;&lt;br /&gt; Costello Meet Frankenstein") will be displayed at 2pm show on Sunday! This&lt;br /&gt; one-of-a-kind genuine artifact comes to the Lafayette courtesy of&lt;br /&gt; collector Todd Feiertag. Go to:&lt;br /&gt; &lt;a href="http://www.bigscreenclassics.com/indexlafayette.htm"&gt;http://www.bigscreenclassics.com/indexlafayette.htm&lt;/a&gt; for more&lt;br /&gt; information.&lt;br /&gt;&lt;br /&gt;Here's the complete HORROR-THON line-up:&lt;br /&gt;&lt;br /&gt;Friday, October 19, &lt;br /&gt;8:00pm  - Ed Wood's PLAN 9 FROM OUTER SPACE plus Ed Wood Home Movies&lt;br /&gt; and more (Now in color for the first time!)&lt;br /&gt;&lt;br /&gt;Saturday, October 20&lt;br /&gt;2:00pm - FRANKENSTEIN starring Boris Karloff&lt;br /&gt;4:15pm - MASQUE OF THE RED DEATH, starring Vincent Price&lt;br /&gt;8:00pm - PHANTOM OF THE OPERA, starring Lon Chaney, with LIVE Pipe&lt;br /&gt; Organ Accompaniment by Jeff Barker&lt;br /&gt;&lt;br /&gt;Sunday, October 21&lt;br /&gt;2:00pm - ABBOTT AND COSTELLO MEET FRANKENSTEIN;  PLUS - Bela Lugosi's&lt;br /&gt; original Dracula cape (as worn in this film) will be displayed at this&lt;br /&gt; showing! &lt;br /&gt;4:15pm - CURSE OF THE DEMON starring Dana Andrews - uncut British&lt;br /&gt; version!&lt;br /&gt;7:30pm - Robert Wise's THE HAUNTING&lt;br /&gt;&lt;br /&gt;I would like to go to see a few of these movies (namely "Plan 9," "Phantom of the Opera,"Frankenstein," and "Masque of the Red Death"), if anyone else is interested in coming along.&lt;br /&gt;&lt;br /&gt;Also noteworthy to the Rocky crowd is "Curse of the Demon," which inspired the lyric from "Science Fiction/Double Feature" (Dana Andrews said prunes gave him the runes...)&lt;br /&gt;&lt;br /&gt;It may be a good promo for Home of Happiness if we all went to the screening in our costumes. Just a thought.</content>
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